She must
have been moved in some way that morning, but was it really okay that this
songwriting episode transpired while she was apparently ignoring an ongoing
sermon? This was the question that most troubled Elvina M. Hall when she shared
with the minister later in a Baltimore church the details of “Jesus Paid It All”.
Someone might say she had also desecrated church property – a hymnal -- while scribbling
the words for the poem that came to her spontaneously. Well, at least Elvina
hadn’t slept during the minister’s message! The words she penned also could have
been her best defense, for they seem to indicate she’d engaged in a
conversation with the One above, while forgoing the minister’s message. So, with
whom would you rather converse, the usher or the homeowner? Perhaps that’s what
Elvina calculated was the correct question for her to answer.
Elvina
Hall was evidently not the only person in that Baltimore church engaged in the
birth of “Jesus Paid It All” in 1865. The organist, John Grape, unbeknownst to
Elvina, had composed some music that he had yet to tie to any words, though he
had shared it with the minister. Thus, the same minister who’d bored Elvina one
Sunday morning had also been Grape’s musical sounding board! Was it just a coincidence
or was some other force at work to consummate the union of Elvina’s poetry and
John’s tune, via the minister with whom they’d both served at the church? Since
Elvina had scrawled her words on a blank page of a hymnal in the choir attic,
one wonders if the three of them might have concluded that the poetry was providentially
destined for a piece of music to complete the loop for a newborn hymn. “Jesus
Paid It All” would be one of only a handful of poems that Elvina would ever craft,
and the only tune we know that is attributed to John, making this episode especially
remarkable for the both of them. Elvina imagined Jesus reassuring her that her
own human frailty would not matter when He entered the equation (v.1). And,
that would be just the beginning, for the rest of her thoughts envision the Divine
nurture he would provide, the completion of her walk, and the inheritance that she
trusted He would bestow on her. In her 40s when she penned the words, Elvina
would spend some 40 years in that Baltimore church (Monument Street Methodist Church).
She was closer to the starting line than the finish line, she may have
realized, so she listened and heard what He said could follow over the next few
decades. All she needed to do one morning in the top of that church was allow Her
dialogue with Him to flow through her hand onto a blank page.
How many other Sundays did Elvina sit
pondering in the choir loft during the sermon, after she wrote “Jesus Paid It
All”? Perhaps she did many times, though only two other hymn poems are ascribed
to her. The six verses of “Jesus Paid It All” may have been enough for her to
contemplate for some time, as they ultimately foresee one scene that will
matter most for any of us – meeting Him. Elvina must have sensed that at that
moment, who could pay for her eternal home would be paramount. My home mortgage
is just about as much financial liability as I want. What’s the mortgage on a mansion
in heaven (John 14:2)? Have you got that creditor lined up to pay for you?
See more
information on the song story in these sources: The Complete Book of
Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J.
Petersen and Ardythe Petersen, Tyndale House Publishers, 2006; Amazing
Grace: 366 Inspiring Hymn Stories for Daily Devotions by Kenneth W. Osbeck,
Kregel Publications, 1990; 101 More Hymn Stories, by Kenneth W. Osbeck,
Kregel Publications, 1985; and Then Sings My Soul – 150 of the World’s
Greatest Hymn Stories, Robert J. Morgan, Thomas Nelson Publishers, 2003.
Also see this link, showing all six original verses, and a
brief recitation of the development of the tune, which was then paired with the author’s
poem to create the song: http://www.hymntime.com/tch/htm/j/p/a/jpaidall.htm
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