Showing posts with label camp song. Show all posts
Showing posts with label camp song. Show all posts

Friday, February 6, 2026

Psalm 23 (I Am Not Alone) -- Joshua Sherman, Laurel Taylor, Steven Musso, The Emerging Sound

 


It most likely happened at a summer camp. The year was 2018, and Joshua Sherman and two other musical collaborators, Laurel Taylor and Steven Musso, reached back for a song that was very old, in order to drawn something that remained potent from its object of worship. “Psalm 23 (I Am Not Alone)”, which drew upon what one shepherd once wrote about another greater shepherd, spoke to these three 21st Century songwriters. David’s version, and so many other renderings since his day 3,000 years ago, engender peace and contentment; Joshua, Laurel, and Steven, while in the camp atmosphere of The Emerging Sound, took David’s thoughts to a place of elation and pure excitement as they considered what the Great Shepherd provides. He gives the people of His pasture so much right now, and if what’s to come because of His provision could possibly be fathomed, that would really blow the top off of all we can imagine. That’s what Joshua, Laurel, and Steven seem to want us to drink in.  

 

Joshua, Laurel, and Steven come from different places in the eastern part of the United States, so one can guess that they came together somehow to mull over, share, and create something that their ancient songwriting brother would have recognized. These three heard and read what David said, and just to rearrange his lyrics some would have been profitable, and yet they evidently had some other objective in mind when they thought about Psalm 23. Joshua ministered in Boynton Beach in southern Florida, Laurel was Nashville in Middle Tennessee, and Steven was in Albany in east-central New York, so did the three talk by phones or via some other remote devices to craft the song? Part of it may have emerged from such an interaction, but since they cite The Emerging Sound as a part of their collective composing team, we can be pretty certain that they were together at one of the summer camps that this organization hosts to foster songwriting and ultimately the spread of the Good News. They thought David’s words about the Great Shepherd and what He provides were worth repeating – protection, anointing, guidance through valleys, refreshment and restoration, the mercy and grace He offers, and the comfort and confidence that makes our souls overflow. That’s a lot. Wrap up all of that in a single package, and how does one feel? That is what is expressed in this Psalm 23 version, and you and I are invited to feel as Joshua, Laurel, and Steven unmistakably felt as they sat with each other at a campsite. They used words that David must have also felt, but left unspoken. Hallelujah and Victory (vocalized six and fifteen times, respectively, throughout the song) raise the lyrics to a new height, testifying to a thrilling awareness for what He’s laid up for us to have in His presence, in His home. We can anticipate and be confident that He will, and is already providing for us, as these three remind us that ‘my Comfort, always holds me close’, an antidote to this life of frequent challenge that He alone bestows. David surely knew all about this too, and that ‘Your Spirit lives within me’, though he did not explicitly pen these phrases. Joshua, Laurel, and Steven thought David’s heartstrings beat pretty strong in these unspoken phrases through what he did write, so why not include them three millennia later? Good idea!   

 

Not much more needs to be said to expose what three contemporary Christian songwriters discovered eight years ago. Others probably have felt similarly as they have read and thought about David’s ode to the Great Shepherd. Too often, though, it is consigned to rather sad occasions, at funerals. Its comforting tone is appropriate for soothing the wounded hearts at those times, certainly. But our great Redeemer and Protector is more than a soother, as this new version of the 23rd Psalm communicates so powerfully. Sing the hallelujahs and victories now that we implicitly know David had in his own soul, and which Joshua, Laurel, and Steven have seen fit to shout aloud. Say them again, and again, and again. Keep doing it. Live like it, and see who else will join in. (Click on one of the links below to get yourself in the correct frame of mind!)    

 

Hear a very stirring rendition of the song here from one of the artists: https://www.youtube.com/watch?v=bpTXb_-sir8

 

Read some about the primary composer here: https://www.jasministries.com/

 

Read about another of the co-writers here: https://www.themussos.com/about

 

Read about another of the co-writers here: https://www.thechristianbeat.org/artists/laurel-taylor/

 

Read about the songwriting group that helped spawn the song here: https://www.theemergingsound.com/

 

See information about the image here: https://commons.wikimedia.org/wiki/File:Bernhard_Plockhorst_-_Good_Shephard.jpg... This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. {{PD-1996}} – public domain in its source country on January 1, 1996 and in the United States….the image may be found in this document -- https://en.wikipedia.org/wiki/Sheep  

Saturday, February 6, 2021

Lord Be There -- Ken Shackelford

 


Camp song. For some people, that two-word phrase sums up the song that Ken Shackelford wrote, perhaps during one summer around 1992, in some woods north of Searcy, Arkansas to help focus a group of young people on someone they could not see. He coached them to say “Lord Be There”, because he might have known that these kids needed someone to help them through the rough spots in their still-developing lives. One can imagine that it leapt out of someone’s mouth during a vulnerable moment, maybe around a campfire where honesty and mutual support are offered to anyone who asks for it. No one can hide from the all-seeing eye, but Ken might have said that this omniscience wasn’t a quality to fear, but instead one of an understanding God to whom they could cling in trust.

 

Ken Shackelford and his wife Tanja have plenty of experience with kids of their own, so therein may be the inspiration for how Ken’s music has been birthed. The ‘SHACKfamily.com’ website indicates that the Shackelfords have eight children, on top of the kids that Ken has met and helped when he was working at Camp Wyldewood in north-central Arkansas for a while. It’s not clear what exact circumstances spurred ‘Lord Be There’, though some of his songs were reportedly written for specific camp themes; other songs were adopted just because they were favorites of the campers, apparently. Kids, probably to include his and his wife’s octet of offspring, have plenty of stumbles that can turn into learning experiences. You can guess this fact-of-life axiom was the subject of camp life on more than one occasion, spawning the title words of the song and those that follow – ‘when I fall’ (soprano and alto parts). While the female parts express an invitation for Him to come into their midst, the young men’s parts (tenor and bass) articulate a confidence that He indeed joins them and is all-sufficient. To sing this as a four-part round also emphasizes the personal acknowledgement that each voice contributes to this prayer-song, saying in effect ‘I have my own mistakes, and each of my friends has the ones they bring to you, God’. While missteps are not episodes anyone relishes, when they are confessed and handed off to Him who can heal, an otherwise noxious scent gives way to fresh harmony – the sound this song transmits to its singers to transform them. That must have been what Ken was after – making these kids appreciate that they need not flee from confession of wrongdoing; instead, own up to being human, and you’ll find others will join in that chorus with you. Not just for kids, by the way, is it?

 

The message Ken wants to spread doesn’t stop with kids singing ‘Lord Be There’ around a campfire or in a meadow at Camp Wyldewood. The Shackelford clan promotes something called Lumenations, in which stories of Christian disciples are shared to spark more disciples to tell their own stories, and thereby spread the news about how He works in many ways. It’s sort of the theme of ‘Lord Be There’, magnified beyond a campfire group’s reach. I call out to Him for the holy divine presence and intervention in my own situation, but at the same time Lumenations says that I should re-tell the story of how He answers, and how blessed events as a result of an answered prayer pile on top of one another. Imagine ‘Lord Be (ing) There’ in not just one instance, but in an exponential way. That’s God, being who He is. Lord, be there!             

 

 

See the following site for an explanation of the possible origin of the song: http://theshackfamily.com/wyldewoodsongs

 

See the following site for info on the author and his family: http://theshackfamily.com/

 

Another site that the author uses to further the message: https://www.lumenations.org/about

 

Site for the camp where the author may have written the song: https://www.campwyldewood.org/about-us/vision-mission-core-values