Battle Belongs -- Brian Johnson and Phil Wickham

 

Jahaziel had a message (See picture of him here delivering the words from God’s Spirit when others were afraid – 2 Chronicles 20:14-17.), and it was that the “Battle Belongs” to Him. So don’t be afraid! The peoples of God had been told that before, but it must have been the passage of time and the danger right before their eyes that made them cower once more. If Brian Johnson and Phil Wickham could have known another fellow’s name, they might also have given some credit to a tattoo artist for an eye-catching phrase, because that’s what got this pair to thinking and recalling what Jahaziel had said so long ago. Their music radars were pretty active that day, and so they didn’t miss what He wanted them to recall. You might not think there’s a battle or some trouble in your path, but we all live on a planet where things happen, and we could feel overwhelmed. Do you have a plan? Listen to what Jahaziel told an army…it’s a different kind of foxhole strategy.  

 

So, I cannot remember if a tattoo has ever inspired any of the songs in this blog – but I don’t see the word ‘tattoo’ (or ‘body-art’!) listed among my labels, so this song story has reminded me of an axiom: each song has something unique about it. And, tattoo will be a new label from this point forward. Perhaps Brian and Phil had never encountered such an inspiration before, either. In 2019, Brian saw the tattoo with words that he thought said something that could be central to a song that he and Phil were tossing around. ‘I fight on my knees’, some anonymous person had said, and actually repeated by having it inscribed on themselves or someone else’s skin. By early in 2020, this pair of songwriters had worked up the song further by using a story in God’s word to provide more inspiration. It involved a couple of people with names that started with ‘J’ – Jehoshaphat and Jahaziel. Jehoshaphat the king was set to lead his army into battle against Ammon and Moab, and he admitted ‘…we have no power to face this vast army that is attacking us. We do not know what to do, but our eyes are on you.’ (2 Chron 20:12). Jahaziel must have overheard this prayer, and God gave him Jehoshaphat’s answer – ‘It is God’s battle, not yours.’ (v.15) So, just follow His plan, and those scoundrels will beat themselves (vv. 16-23). And, the troops actually sang another song as part of this great plan – ‘Give thanks to the Lord, for his love endures forever’ (vv. 21-22). As Brian and Phil saw it, the ‘battle’ and ‘mountain’ were overcome with the words of that tattoo on their hearts, and the real-life historical example of the Israelites of the two ‘J’s’ beginning their mission with prayer, encouragement, and trust. ‘Victory’, ‘beauty’, ‘empty tomb’, and 'almighty fortress' are key phrases that Brian and Phil use to counter the ‘shadow’, ‘fear’, ‘ashes’, and the ‘cross’ that can make the warrior – even if he’s God-sent – hesitate for just a second. For them, even as the coronavirus threatened the world in 2020, the ‘Battle Belong(ed)’ still to Him. Just ‘fight on (your) knees’ to begin any struggle, and you’ll see how nothing is a struggle for God.

 

Phil said the Covid time was dark, and that ‘Battle Belongs’ was like a light, for himself as well as for others. So much noise and misdirection characterized that period, Phil related, that finding the truth was challenging; amidst all of that, he remembered that the song’s words provided hope, courage that otherwise would have been overcome by the confusion of the time. That sounds like what so often happens on a battlefield, sometimes referred to as the ‘fog of war’, when smoke and a cacophony try to shroud and drown out the One who can steer us through a mess. It might be too hard to see and hear standing upright, so getting closer to the ground is perhaps as useful as any advice we could hear. Get down!...that’s what you might hear, telling you how to best avoid the bullets and other flying objects. And, while you’re down there, look up, too.     

 

 

Read how the song was developed here: https://www.songfacts.com/facts/phil-wickham/battle-belongs

See information on the image here: https://commons.wikimedia.org/wiki/File:Jehoshaphat_and_the_people_mourning_-_the_prophecy_of_Jahaziel.png …This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931….found inside this document -- https://en.wikipedia.org/wiki/Jahaziel .

Ah, Lord God – Jeremiah and Kay Chance

 

Her name is known, but anything more about Kay Chance is a mystery, other than the song with her name attached to it. Actually, she did not originally write “Ah, Lord God”, but instead the weeping prophet Jeremiah (see him depicted in the 17^th Century Rembrandt artwork, Jeremiah Lamenting the Destruction of Jerusalem, here) did as a prayer to God (Jeremiah 32:17, 27); so, one more thing about which we can be certain is that Kay had opened her bible one day and was inspired to use Jeremiah’s opening words of a prayer as a musical echo of that ancient prophet’s verbalization of trust in the Lord. For her that day, perhaps Kay found something that washed over and covered her like a blanket when she read what Jeremiah had said to God in a most difficult and uncertain circumstance.  

 

Put yourself in Jeremiah’s shoes (or sandals) for a moment. What happened to him as chapter 32 of his prophecy opens must have seemed like a risky and unwise proposition. Jerusalem and what’s left of the southern kingdom (comprising the lands of the tribes of Judah and Benjamin, and the Levites who served the Temple in Jerusalem) was already set to be overrun and destroyed by Nebuchadnezzar and the Babylonian horde (aka the Chaldeans), who had been besieging the city of David. And yet, God had already told Jeremiah to accept the offer to buy the field of his cousin Hanamel in Anathoth, Jeremiah’s hometown in Benjamin. What? Why? So my investment can go down the drain!? Talk about your insider trading tip – Jeremiah had the lowdown on what would happen, and yet God tells him to invest anyway. Make the deal official, with all the right documents signed in front of witnesses – what must those people have thought of Jeremiah’s business acumen! -- and have your trusted aide, Baruch, seal all of these deeds and other official papers in a clay jar for safekeeping. Jeremiah faithfully followed orders, despite what others may have thought. And then he prays, giving God his unswerving praise, but nevertheless concluding his prayer by seeming to ask for understanding – ‘why, Lord, did you want me to buy that field that is due to be overrun and fall into the hands of those wicked Chaldeans’? God does answer, reflecting back to Jeremiah a mirror-like question that echoes how Jeremiah’s prayer began -- “Behold, I am the Lord, the God of all flesh. Is anything too hard for me?” (32:27) It’s as if God is reminding his prophet of his own words, and of his implicit trust just moments earlier as he lauded God’s might and purposeful conduct in saving his people from Egypt, and then in delivering their punishment for disobedience that had brought them to that point. ‘I will save them again, after this chastisement’, He replies. ‘Fields will (again) be bought for money, and deeds shall be signed and sealed and witnessed, in the land of Benjamin, in the places about Jerusalem, and in the cities of Judah, in the cities of the hill country, in the cities of the Shephelah, and in the cities of the Negeb; for I will restore their fortunes, declares the Lord.’ (32:44) What Jeremiah came to understand was that what he did that day would foreshadow what God would do in a greater, broader way in the not-too distant future. Ah, Lord God, indeed!      

 

Jeremiah could not have been unaware that God’s tactical moves in shepherding His people, including His prophets, were part of a larger strategy that at the time seemed perplexing. Having His vision can seem like a bit of a stretch, if I’m honest. Faith is not an easy proposition, meaning that you might not have the reassurance right in front of you. And yet, knowing how God has worked among His people does tell me I need not be blind, either. I can see with other eyes, in my mind as I read about Him and reason out what His character calls me to believe and to do. It is having His Spirit that is most important. We don’t know any more information about Kay Chance and the episode in which she walked in 1976. But, she did know where to turn, in faith, to see how another faithful, trusting servant proceeded. He obeyed and then asked for understanding. That should tell you and me something about Him. It’s OK to have questions, as long as they aren’t tied to stubbornness, but rather to God-centered confidence.       

 

 

See information about the image here: https://en.wikipedia.org/wiki/File:Rembrandt_Harmensz._van_Rijn_-_Jeremia_treurend_over_de_verwoesting_van_Jeruzalem_-_Google_Art_Project.jpg …The author died in 1669, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931….found inside this document -- https://en.wikipedia.org/wiki/Jeremiah

Holy, Holy, Holy Is the Lord of Hosts – Seraphim and Nolene Prince

 

Isaiah encountered them. And then centuries later, an exile named John saw and heard some creatures like the ones Isaiah met (see the image here of seraphim that Isaiah described, as imagined by artists in a 14^th Century manuscript) in what seemed like a repeat of an apocalyptic vision. So, it was really these creatures who sang “Holy, Holy, Holy Is the Lord of Hosts” and caused Isaiah and John to feel awestruck, unworthy even to be in their presence. That’s what happens when mortals come that close to God or His representatives, as when Simon Peter had to acknowledge that he was in the presence of God Himself (Luke 5:8). Evidently, a 20^th Century songwriter, Nolene Prince, also wanted some of this same sensation, so she musically translated the words that Isaiah and John recorded into something we can sing today. There’s not much more that we can surmise from what the creatures said. We can take from the behavior of Isaiah and John how we too might react when we see Him or His heavenly beings someday. Trepidation, astonishment, reverence…His presence will be like nothing we have ever seen or heard before.  

 

We can be sure that Nolene was reading from Isaiah 6:1-5 and perhaps Revelation 4:8 also, and was struck by the imagery and even more so by what these beings had to say. God has other creatures that serve Him, like the cherubim (Genesis 3:24; and other places, especially in Ezekiel chapter 10) that, like the seraphim, inspire wonder when the human eye beholds them. But the seraphim actually speak and sing for the mortals they contact. All they had to say to each other was for Isaiah’s consumption, and also necessarily to make him aware of his poor state in God’s presence. But God didn’t want Isaiah to wilt. Instead, He had a mission for him. In Isaiah’s case, the seraphim helped usher in God’s message and commission for Isaiah – that he was to be a prophet to the people. So, the message the seraphim deliver can be a way to help assign someone a task. What John the beloved apostle saw and heard during his exile on Patmos was likewise a Divinely-inspired idea for a human to take up, something for John to broadcast (Revelation 4:8). The four living creatures that John saw had six wings each, so they were perhaps rather similar to the six-winged seraphim that sang for Isaiah. And, the song they sang was also very succinct and yet potent, with the ‘holy, holy, holy is the Lord Almighty’ phrase that is reserved for Him alone. John’s apparent takeaway was to recount this experience to other believers of his era, those who felt the weight of a Roman Caesar (Domitian) who decreed that his empire’s subjects call him Lord. ‘Hold on Caesar, let me tell you who is really Lord’, John said to gird the faith of his Christian brethren. ‘This Lord is not only Almighty, but also ‘who was, and is, and is to come’, so just keep listening to these four living creatures. Domitian can make believe what he wants, but we know the truth.’ In Isaiah’s experience, the seraphim followed up the introduction of the holy Lord, by saying ‘the whole earth is full of His glory’. What they said was literally an earthshaking revelation (Is. 6:4). He can rock earthly kings (like Caesar) through a Christian movement, while also physically shaking another’s foundations.

 

This ‘Lord of Hosts’ is not to be ignored. He evidently has beings that work for Him, communicating with humans who carry His messages to others. The things they say about Him aren’t very complicated. He’s holy, a declaration that’s important enough to say three times for effect. And, He shakes things up and is eternally existing. In short, He’s the one in control, then, now, and forever. If He were evil, we’d all be in trouble. But those who introduce Him say He’s holy. Webster’s says that means He’s exalted or worthy of complete devotion as one perfect in goodness and righteousness. Don’t believe Webster? But why would Webster say this? Have you met this God yet? People here on earth may not represent Him and His holiness perfectly at all times, as Webster’s describes holiness. And yet, that’s why we’re humans, and He’s God, and why each of us needs Him. We’re aiming to be with Him who will perfect us one day.            

 

Read about the four living creatures and the Tetramorph here: https://en.wikipedia.org/wiki/Tetramorph  or seraphim here: https://en.wikipedia.org/wiki/Seraph

 

See more information on the image here: https://commons.wikimedia.org/wiki/File:Seraphim_-_Petites_Heures_de_Jean_de_Berry.jpg ... This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. {{PD-1996}} – public domain in its source country on January 1, 1996 and in the United States. …found inside this document -- https://en.wikipedia.org/wiki/Seraph