Showing posts with label Crocker. Show all posts
Showing posts with label Crocker. Show all posts

Friday, May 30, 2025

Man of Sorrows -- Matt Crocker and Brooke Ligertwood


One could say that this song was actually being written and conceived something like 2,700 years before Matt Crocker and Brooke Ligertwood decided to put some notes together with a set of preexisting words around 2012. Could the prophet Isaiah have realized that he’d put some of the words in play, when he wrote about a “Man of Sorrows” during the days of exile for the Jews from their homeland? He probably had not even heard of a place called Sydney, Australia (see the flag of the state of New South Wales here; Sydney is its capital), and that faith among a monotheistic people could actually take hold there. Who exactly was or is this ‘Man of Sorrows’ anyway? That is a subject that people of faith – Christians and Jews, at least, and probably Muslims, too, and any others who stumble across this name in the scriptures – are still discussing, though Christians are convinced that he’s someone that all of us on the planet should get to know very well. He’s the model for who we aim to be, and actually one could say that this God-Man we worship knew so well what Isaiah had said, and aimed to be the suffering servant – on purpose, not by accident.     

 

Matt and Brooke have some vivid memories of how ‘Man of Sorrows’ came together in a joint songwriting venture one day in Sydney. Matt had already written some of the main chorus for the song that refers to ‘the rugged cross’ which Jesus bore to Calvary and upon which He died, but it was not linked in the same day or even in a few weeks with the remainder of the song. Instead, it was a few months until Matt and Brooke met at her house and scoped out the song’s verses and bridge section. Brooke credits Matt with a gift for crafting melodies, including lots of words that allow stories to be told, like this one that really begins in a piece of ancient text that they both read as they opened their bibles. Isaiah 53:3 was what captured their attention -- He was despised and rejected by men, a man of sorrows, and acquainted with grief; and as one from whom men hide their faces he was despised, and we esteemed him not. Reading that was a moment of worship for both of them, which seemed to fit their emotions about what they were trying to saying spiritually, and from there many words flowed to write several verses (they say six or seven initially emerged, though they trimmed the song to four eventually), a testimony about the impact Isaiah still has today. Brooke was so moved that she spontaneously sang the song’s bridge section completely as they sat and pondered the prophet’s poetry. Matt remembers feeling as if God was telling them that the bridge was His unprompted gift to them that He dropped in their laps for their efforts that day. Although he and Brooke hadn’t been trying to write a modern hymn (a worship song with several verses, unlike some 20th/21st Century worship songs that have fewer verses and perhaps a chorus) that day, Matt relates that this was a rare occasion in which the song’s melody and the lyrics inspired by Isaiah just flowed naturally in that direction. Stories that become hymns just connect easily with worshippers, Matt says. Funny how what He has prompted others to say in the bible still means something today, huh?  

 

And, we in the 21st Century are not the only ones who have been staring at scripture to gather its import. A podcast discussion I heard of what Isaiah and his ‘Man of Sorrows’ meant 700 years after he wrote suggests the following: Isaiah did not point forward to Jesus as the fulfillment of what he was saying; instead, Jesus pointed backward to emphasize that He lived His life to show people how to be the suffering servant, in a perfect reflection, of all that Isaiah wrote about. Reimagine that, if you will. How difficult would that have been for Jesus to live out his time on earth – including all the brutality of a death He would need to endure – in order to stamp His identity unmistakably as the Messiah? Matt and Brooke are not textual scholars, and neither are most of us. But, look at the body of evidence. Ask yourself ‘Has anyone else done even a fraction of what Jesus did?’ He was either the most insane and crafty madman in history, with lots of ways to convince others of His time about himself, or He was really who He said He was/is. Why would anyone go willingly to a death like He did for a lie? Matt and Brooke are telling the story in song about this Messiah, the one that seems more rational and accessible to everyone; versus a cynical, ugly hoax that has led and will lead so many of God’s creation to destruction. Which story seems to match up with the personality of Jesus that you see in scripture?    

 

See/hear the song story here (5:24-10:50 of video): https://www.youtube.com/watch?v=YHtEX1Eko_A

 

Hear a discussion of Isaiah 53 here, in a podcast called BEMA: https://www.bemadiscipleship.com/64

 

See here for information about the image of the New South Wales, Australia flag and its public domain status: File:Flag of New South Wales.svg - Wikimedia Commons -- This image or other work is of Australian origin and is now in the public domain because its term of copyright has expired. According to the Australian Copyright Council (ACC), ACC Information Sheet G023v19 (Duration of copyright) (January 2019). (5:24 start of song story thru end of video.)

 

Thursday, July 6, 2023

Oceans (Where Feet May Fail) -- Matt Crocker, Joel Houston, Salomon Ligthelm

 


This group effort found its most inspirational ‘voice’ in the waters. That would probably be a fair statement, if you asked Matt Crocker, Joel Houston, and Salomon Ligthelm to describe what led their spirits during the creation of “Oceans” in 2012. They and their group Hillsong have lots of water surrounding them in Australia -- namely, the Pacific Ocean (see an ancient map of it here), and the Indian Ocean. That is a fact of life for this island nation-continent and its inhabitants, so could that have subconsciously affected these three, particularly Salomon when he thought about a certain apostle and his incident on another body of water? They must have appreciated that a water setting was a productive medium for their song-writing purposes, given how the last piece of the song came together. Since the earth has been formed with approximately 70% oceans covering the face of it, do you think God had something in mind for us who live here surrounded by water?  

 

The ’Oceans’ that Matt, Joel, and Salomon experienced in 2012 emerged in multiple stages in various geographic locales. Sydney, Australia’s capital and Hillsong’s home, was where the water concept was born, and where the song’s lyrics finally culminated. Salomon, while in Sydney, was motivated by the episode of Peter walking on – and then sinking into, before Jesus saved him – the Sea of Galilee (Matthew 14:22-34; Mark 6:45-53; John 6:15-21). It was a key moment, the three songwriters acknowledge, to see something in Peter’s encounter as he stepped out of the boat, something that speaks to us who would be bold today. Matt, Joel, and Salomon evidently also sought out a waterfall near their studio in Sydney for the song’s final lyrics-writing session, as they continued to visualize Peter’s water-walking, and short-lived miracle. Additionally, much of the song’s lyrics were written over several days in an intervening episode in Joel’s apartment in New York City. Even while separated by wide distances during the song’s development, the three men found common ground in what they could see, and what they and the rest of us cannot see. There is a ‘great unknown’, a ‘mystery’ (v.1) in taking that step out of the safety of the boat, and moving at the call of Jesus. One has to be aware that you might sink. That ‘…feet may fail’ (the song’s subtitle) is an admission that you ultimately trust God with your life. While Peter was in the Sea of Galilee, Matt, Joel, and Salomon chose to seek out oceans as their metaphor, the deepest body of water on planet Earth. Judging from their lyrics, they wanted to emphasize that this is the most serious kind of commitment a believer makes, requiring whole-hearted devotion. A person’s ‘faith’ (v.1), ‘eyes’ (chorus), and ‘soul’ (chorus) are thus completely focused on Him, not on the water. His attributes are juxtaposed to the water that might drown me, yes. But, where else can you find Him, and His ‘embrace’ (chorus), His ‘sovereign hand’ (v.2).

 

Fear is cast out, and trust grows. That is a key unspoken axiom of the ‘Oceans’ that Matt, Joel, and Salomon sailed upon in 2012. Consider Peter, the professional fisherman, someone accustomed to being on the water. Why didn’t he begin to swim; did his fear overwhelm even something he should have known intrinsically? And, what do you do if you’re not a fish, or don’t really like the water, and really cannot swim too well? Us landlubbers may feel especially hamstrung…I might really drown! Isn’t that the point, though? God doesn’t need me to work out, take swimming lessons, and become an Olympic phenom. When I feel unskilled at a task, perhaps that is just the place where He wants me to be. He will be all that I am not, and so much more, giving me all the coaching that I need. Are you ready to be animated by Him?              

 

Watch the song story here in this video: https://www.youtube.com/watch?v=6zlbunWsV5A

 

See here also background information on the song: https://www.godtube.com/popular-hymns/oceans-where-feet-may-fail-/

 

See more background information on the song here: Oceans (Where Feet May Fail) - Wikipedia

 

See here some background information on the planet’s oceans: Ocean - Wikipedia

 

Status of picture-map of Pacific Ocean: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. (Author is Abraham Ortelius, 1527-1598.) This map was published in 1589 in the author’s Theatrum Orbis Terrarum. It was not only the first printed map of the Pacific, but it also showed the Americas for the first time. File:Ortelius - Maris Pacifici 1589.jpg - Wikipedia