This
hymnist had plenty of time and people in his bloodline to observe, and to consider
his destination. The Englishman Samuel Stennett was from a long line that had
undoubtedly spoken of what life’s end would represent for the believer, and so
it was something this 18th Century London minister likewise pondered.
Because he was from multiple generations of Stennetts that served in ministry, Samuel’s
vision of what it would be like “On Jordan’s Stormy Banks” must have also
included a reunion with others of his family. When exactly did he begin to
imagine the scene of which he wrote? Did it look at all like the Jordan River
here on earth? (See its picture here.)
One can guess that this was a lifelong moving-picture
show, which became even more vivid when his own father went to cross the river,
leaving Samuel to walk in his and two previous generations’ footsteps. He
likely passed on this mental imagery to his own son, making five generations the
expectant inheritors of a common promise.
Samuel Stennett’s earthly life began in 1727, but his was
one that really had its origins many decades prior to the century in which he
lived, and then contributed well beyond his earthly life’s conclusion in 1795. His
great-grandfather Edward, and his grandfather Joseph, had been ministers in
England also, so it was no surprise when Samuel’s father, also named Joseph
(the II), entered ministry, with Samuel waiting in the wings soon thereafter. Samuel’s
own son, likewise named Joseph (the IV), would also be a minister, like the
four generations of Stennetts before him. (Samuel also had a brother named Joseph
[Joseph III] – also a minister.) So,
with such a rich heritage of faith and ministry in one family, one can imagine
that Samuel from an early age heard of what the Stennetts could expect after a
life spent in God’s work. We know not the precise context in which Samuel found
himself when he crafted seven stanzas, and at least one refrain (a second alternate
refrain is commonly used in many hymnals today) to express what he envisioned
awaited himself, and indeed all believers. Nevertheless, Samuel had seen or
heard from many generations like himself, and as a minister he also likely
counseled numerous lay persons regarding the afterlife. The transition from
life to afterlife would be – and is still, today – an ever-present topic among the
faithful. Samuel’s desire to express himself poetically was also part of the
DNA he inherited, as Joseph I (his grandfather) had likewise been a hymnwriter,
a bit of family history that we can presume Samuel had learned. Was this a
further motivating factor in Samuel’s effort to describe the spiritual Jordan
River in poetic form? Three generations of Stennetts played a part in motivating
a fourth to craft “On Jordan’s Stormy Banks”, a gift that has endured for many
more generations since then.
Did Samuel’s vision become more urgent the older he became?
When he took over his father’s ministry in 1758 (at the age of 31) when he died,
did that help spawn “On Jordan’s…”? If these mortal episodes impacted Samuel, that
would not be unusual; perhaps they helped gestate the poem that would be first
published as a hymn some 29 years later, in 1787. Notably, Samuel makes no
allusions to his earthly family in his words. The scenery of that place and the
presence of God matter most to Samuel. No one will want to miss it, especially
if you think you might be getting closer to that water. Enough said?
Information on the song was obtained from the books Amazing Grace – 366 Inspiring Hymn Stories
for Daily Devotions, by Kenneth W. Osbeck, 1990, Kregel Publications; 101
More Hymn Stories, by Kenneth W. Osbeck, 1985, Kregel Publications; and The
Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs,
by William J. and Ardythe Petersen, 2006, Tyndale House Publishers, Inc.
See
biography of author here: http://www.hymntime.com/tch/bio/s/t/e/n/stennett_s.htm
Also see this site
for all the song’s verses: http://www.hymntime.com/tch/htm/o/j/o/ojordsbi.htm
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