When he
wrote out the words, he did more than sing them. That’s what Michael Card would
say about himself, and that’s undoubtedly what he would say to those he
contacts and draws into conversation via his 1982 song “Jesus, Let Us Come to
Know You”. He was early in his journey in 1982, perhaps near Bowling Green,
Kentucky (see map here) where he’d gone to college, and it was not just through
music that this artist sought to accomplish the goal of this song’s title. And,
his journey hasn’t been one of solitude, for Card is a big believer in community,
and that realizing the goal of knowing God is a learning process best met among
a group of people. So, notice the words—one word, in particular--that he uses
in his ode, and it comes as no surprise, once you’ve met and understood this
fellow.
Michael
Card was a 25-year old musician-second, and God seeker-first in 1982 when he
wrote that he wanted to know God better. He probably has two people to thank
primarily for his musical career – one professor/mentor (William Lane) who
coaxed him to write his first songs, and a friend (Randy Scruggs) who pushed
him into recording some of them. Lane persuaded Michael to write songs to
accompany the weekly sermon at the church, so perhaps “Jesus, Let Us…” was one
of those efforts, devised for one of Lane’s Sunday morning messages. Randy and
another friend (John Thompson) then recorded Michael and some of his songs, hoping
the effort would prove to record companies that their newly-minted production
company was credible. Indeed it did, and their plan also unwittingly helped
launch Michael on a musical ride that has continued for over 30 years. “Jesus
Let Us…” underscored two things that seem to be key facets in his musical calling:
First, music was not Michael’s primary focus, and second, his achievements have
been in the midst of many others who’ve spurred what has emerged from Michael’s
pen. These attributes come straight from Card’s official website, but they also
are evident in the two verses of the 1982 song he crafted. The song’s theme –
knowing the God-Son – and living among a community – evident in the composer’s recurring
use of ‘us’in the two verses – tip-off the observer that these two crucial
elements were at work inside Michael Card. What Michael had experienced with
his mentor and his friends – a reciprocal, give-and-take relationship – was also what he thought about God and
himself, and that comes though too, in his poetry.
Michael
Card is probably as well, or perhaps even more well-known for his abilities
outside of his music. Author, teacher, and radio host are the other ventures that
he pursues, all with the goal of living among others and encouraging them to
join the journey he’s on himself. ‘Us’ is a the tiny word he employs 11 times, underscoring
how he’s been conducting his exploration of God’s connection to his universe. While
it’s a life-long education at which Card has excelled, he would readily admit it’s
been most fruitful because of the many people with whom he’s interacted. Seeking
God isn’t a solitary enterprise. Michael would probably say ‘go find a group to
feed upon and feed them in return’. While you’re doing that, see if you notice
Him doing the same with you.
Biography on the composer here: https://en.wikipedia.org/wiki/Michael_Card
Another biographic article, this one on composer’s official
website: http://www.michaelcard.com/biography
Another biography/conversation with the composer: http://www.webcitation.org/query?url=http://www.geocities.com/Athens/Forum/3505/cardconv.html&date=2009-10-25+05:59:59
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