This English poet must have really valued the ‘family’
of which he was part. Indeed, perhaps he was so moved by the camaraderie, that
he described it as sweet and heavenly (“How Sweet, How Heavenly”), as he turned
a corner in his life’s purpose. Joseph Swain might be viewed with poignancy,
because of what would ensue just a few years after he wrote this hymn about
brotherhood (he died just four years later, at age 35). But, at the time, this
31-year old must have felt anything but angst in the atmosphere in which he and
his fellow believers shared life. Was it because it was something he had missed
for so long, which accentuated its sweetness for him? How would one picture something
that had characteristics that Swain described? Perhaps it would be like seeing
family members embrace (not unlike this 1789 self-portrait by Elisabeth
Louise Vigée-Lebrun).
Would it be too much of a stretch to suggest that Joseph
Swain’s early life and eventual transformation had their fingerprints all over
this fellow’s heart when he put pen to paper in 1792? He was an orphan from
early childhood, so that may have spoken to him as he sought relationships in
the empty family environment where he found himself. He was converted to
Christianity at age 21, and by 1792, some 10 years later, had begun his ministry
in a London district church at age 31. His three decades without blood
relatives evidently didn’t mean his heart was cold – probably anything but. His
poetry had become his calling card over the previous decade, and this continued
when he crafted the five verses about sweet and heavenly sights. He’d just
begun his public ministry in the London church, so perhaps he wanted to remind
himself and his hearers what struck him most in their exercise of faith
together. This minister-poet-hymnist, and former orphan, thought a lot about
love. He uses the word five times in four of the verses, so one can imagine
what a Joseph Swain message from the pulpit might have sounded like. The people
to whom he spoke were undeniably part of his being, and part of each other’s
being. Love wasn’t an isolated or one-way street. It was sensing one other (vv.1-2),
experiencing union or bond (vv. 4-5). In Swain’s mind, someone else’s heart and
eye were his, too (v. 2).
Picture-perfect? Swain was most likely not a naïve,
rose-colored glasses-wearing minister. He evidently knew what envy, scorn, and
pride (v. 3) looked like, or he would not have been able to notice their
absence. Have you ever been part of a group that always functioned ideally? Hopefully, you’ve been part of one where
at least occasionally the sweet and heavenly have been evident. Joseph either
saw it or wanted to promote it. He probably needed it, given his background.
Don’t we all?
Biography of composer here: https://en.wikipedia.org/wiki/Joseph_Swain_(poet)
Some biography here also: http://www.hymnary.org/person/Swain_Joseph
See the site here for brief biography of composer: http://www.hymntime.com/tch/bio/s/w/a/swain_j.htm
See this site for all five original verses: http://www.hymntime.com/tch/htm/h/s/w/hswehhea.htm
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