Saturday, June 20, 2020

Create in Me – David


He had been exposed. What other choice did he have, except to prostrate himself and plead for mercy? That is what one can say of King David, or maybe that’s too generous of a title to give him in this context. Maybe he should instead be called David, the Cheater-Adulterer, ruthless Murderer, grotesque Liar. Those names might be how he thought of himself some 3,000 years ago when he poured out his heart in a prayer to God that someone more contemporaneously has called “Create in Me”. He needed renovation and restoration, or one might even say his physical structure just needed to be completely knocked down and rebuilt, almost from scratch. After all, the skeptic might ask how this fellow who was said to be after the Divine One’s own heart (1 Samuel 13:14; Acts 13:22) could have done something so revolting, so evil? Was anything decent still inside David? Evidently, he did not think so, for his own words ask for a new creation. Who hasn’t been at the point where this ancient king was when he wrote this? 

Her name was Bathsheba, and David’s sin with her was perhaps the costliest one of his life. Lots of dominoes fell in the wake of his passionate embrace with this woman who was not his wife. And, the dominoes were not only to fall in the few days following his confession, but for years to come, as God determined that his punishment must cut very deep indeed (2 Sam. 12:11-12), and that the ultimate price for his retention of power would be multiple lives of those close to him. David would no doubt write other psalms about those episodes, but hearing the immediate consequences of his sins -- his willful disregard for four of the ten commandments, numbers 6, 7, 9, and 10 – must have been overwhelming. And so, he asked for a clean heart creation, because his old one was too polluted. The spirit inside him also needed renovation. David was numb, but not completely immune to God’s influence, or he would likely not have responded to Nathan’s rebuke. Perhaps that’s what God observed, that this sinner was still capable of self-examination and repentance. He needed a reminder that ‘the joy of thy salvation’ outweighed any earthly pleasures. David had somehow become complacent about the gift God could bestow. So God responded when David said ‘cast me not away from your presence’, perhaps in part because of what David said later in his song. This apologetic king promised to teach others about his God’s ways, that He is righteous and worthy of our best tribute (Psalm 51:13-15). David, as a good king deep-down might exhibit, was concerned for those whose well-being was in his control (Ps. 51:18), perhaps a goodness he had learned firsthand from his Heavenly Father. David would certainly need some positive episodes between himself, his people, and the God they all served, because of the self-inflicted penalty that lay ahead.               

Punishment hurts. As a parent often thinks or says to the child, both parties suffer. But what is the alternative? If the misdeed is never laid bare for all to see, what happens? Prison, in a word, is the result. God and David both bore the pain; God’s was first, before David had even discovered that he’d been…well, discovered. Then, David’s pain became as God’s – disappointment that he’d strayed, and then on top of that agony mingled with shame. This was David’s bed, literally. David is an object lesson for all of us who have a few minutes of idleness and wandering eyes. Danger lurks in that space. What would David tell you and me? He spent the rest of his lifetime trying to recover from those few moments and days. Don’t take even one step toward that prison, he’d say. God cannot stand to be in that place with you. That’s the real prison. That’s why he wrote Psalm 51, to try to get outta prison.  

 Psalm 51 and the notes for the NIV Study Bible are the only sources for this song story.

Saturday, June 13, 2020

He Is Wonderful -- Anonymous


This anonymous songwriter must have had more to say than could be said in a single song. So, he decided to actually say what he wanted in four songs – but, all in the same song. Who could think of such a composition? It’s as good a guess as any other that the author-musician is a psalmist of many ancient poems – the man named David, shown here (according to a 10th Century artist) engaged in his art-form. He loved to sing to his King, the One he called Wonderful. Many attributes are ascribed to this King by David, including that one-word exclamation – Wonderful!. He doesn’t make a lot of florid, lengthy statements about Him, perhaps because none would suffice. Instead, it’s short phrases or individual words that he offers up. Perhaps this pattern indicates all that you and I will need when we meet this King, someday.

There are many voices that David uses in his praises to God; in fact, one could say that he used dozens of voices throughout his life. Some estimates indicate David authored as many as 75 psalms (73 listed with his name in the Old Testament collection, and another two [Psalms 2 and 95] that New Testament references suggest he also wrote). One set that is attributed to David is especially noteworthy, because it depicts a broad range of emotion that shows David is uninhibited before the King – plaintive and ebullient all in one package. Two praise psalms – 138 and 145 -- act like bookends for six prayer psalms that David offers to his Creator-Protector-Redeemer. This contemporary psalm is like those two bookends, with four praise voices blending in complementary phrases or single words – not unlike angels offering tribute to Him on high. Each voice could be interpreted as its own song, but God’s unbounded nature allows us to sing all four to Him simultaneously, since He is able to hear each heart’s individual message. ‘All praises to Him’, one voice says, and then calls out to Him with two of His names – ‘King of kings’, and ‘Lord, our God’. Another voice joins in to offer nothing more than a single word – ‘Hallelujah!’ A third voice recalls four attributes of Him – ‘salvation, glory, honor, and power’; indeed, God is to be praised for these characteristics, perhaps above all others. Finally, the fourth voice underscores that He is ‘mighty’ and ‘omnipotent’. All four voices culminate their musical offering with the song’s title words -- what we might call a musical standing ovation. In fact, we might all fall down in His presence when we see Him face-to-face.

I can sing ‘He is Wonderful’, as David so often did, even when circumstances aren’t really wonderful. It’s not unlike that eight-psalm set that David begins and ends with praise, but which is filled with other emotions – like lament, and anger, and loss – in between. In fact, more of David’s communication to God seems to be in these minor keys. Was that because he was in trouble too often? David did seem to instigate some of his own issues, at times, not unlike what I do to myself – with a stubbed toe my painful reminder. He can hear these pain-stricken prayers too, and yet is not diminished because I offer them along with the others. Jesus, too, had moments when He cried out – ‘Why have you forsaken me?’. My most desperate times don’t mean I stop talking to Him. As David must have discovered, the shriek and blubber I croak out today may not be too distant from the cheer and applause I offer tomorrow. Fortunately, His nature does not change, no matter what. That’s what David seems to be concluding in his conversations with Him. He IS wonderful. Not just sometimes, or when He flips a switch to impress me. Can’t wait to see Him in person, wonderful every moment, up close and personal. How about you?       



See here for list and discussion of the psalms that David wrote: https://www.gotquestions.org/Psalms-David.html
 
The NIV Study Bible is the only other source for information in the above story.

Saturday, June 6, 2020

Firm Foundation -- Nancy Gordon and Jamie Harvill


Disappointment. One might even say it was bitter disappointment. But, ‘out of the ashes’…as one has said before. Nancy Gordon and Jamie Harvill might even say upon reflection that Alexander Graham Bell, the inventor of the telephone (see an early advertisement here for one), played a remote role in “Firm Foundation” that the two of them first spoke to each other over a telephone line in 1994. Was this the first time a song was conceived over the phone? Perhaps not, but what they had expected to happen a few days earlier could not have been more different than what actually transpired, so having an unforeseen method for this song’s development was actually in tune with events. Do you and I know how our Creator is always working, and am I ready to be His tool? What do you think Nancy and Jamie might say after you hear their story?

Where were Nancy Gordon and Jamie Harvill exactly on that day in 1994 when they commiserated with each other on the telephone? Perhaps each had returned home (in Alabama for Nancy, and California for Jamie), to figuratively lick their wounds. It’s a bit of conjecture, but since they chose to talk on the phone, we can imagine that they weren’t in close geographic proximity. Nancy relates that they had been saddened to learn that a song they’d written together (‘Belle of the Ball’) would not be part of an album. They’d thought, because of the reaction of the recording artist when she heard the song for the first time, that their collaborative effort was about to bear fruit. This was their profession, and the song was their initial expedition on this musical partnership, after all, so dejection was not unreasonable, from a human standpoint. But Nancy relates that she’d been buoyed during her reading that morning of a bible verse about ‘living hope’, and then the mutual affirmation about their long-term prospects took off, as they deflected the gloom that had been present. Words like ‘I have a future’ were soon consoling them as they talked, and they both confessed that they had placed too much confidence in a song, rather than in God.  What Nancy says indicates she’d been reading what one or two apostles had written (1 Peter 1:3, and 2 Timothy 2:19). From what the two of them say, they were soon sharing bible verses back and forth, and the song was nearly completed during that phoneline discussion, a time that was like ‘a volleyball game of encouragement’. A couple of other moments later on helped put a wrapper on this song, but the phone conversation is what stands out to Nancy and Jamie. As is so often true of something really special, a unique coalescence of events, as well as the inspiration of a couple of apostles (Peter and Paul), must be credited with creating ‘Firm Foundation’. Who makes events happen this way?

How’s He work? If you ask Nancy and Jamie, they might say the first song they wrote really was meant to be a failure and a launching pad for something better. He can make a washout into a success, and even more. He’s got a handle on things, and perhaps He is most providential when he takes me by surprise. That’s worth a bible study isn’t it? See how often he does what people think makes no earthly sense. As someone has said, ’faith is believing in advance what will only make sense in reverse’ (Philip Yancey, in The Question That Never Goes Away, p. 48). And, He doesn’t sit back and ask us to do/believe without going there Himself. He went somewhere and did something that confused everyone at the time… Tap into His ‘failure’, and see if it stays that way for you.