I Love the Lord – Tommy Wheeler

I love the Lord, because he hath heard my voice 

and my supplications.

(Psalm 116:1)

He wrote something as he neared mid-life in 1969 that he probably felt he needed to say. Tommy Wheeler indicates he often listened to his insides, jotting down musical phrases “as they might come to him”, anticipating using them in his songs. It wasn’t surprising that he declared “I Love the Lord” that year, because he already had been engaged in loving Him for some time. But, one might ask ‘why?’ What prompted him to jot down these words then? Besides loving Him for the past, one other focal point is evident in the thoughts he recorded that year, and Wheeler’s own memories of that time also help us answer these simple questions. 

When he composed that day in 1969, 38-year old Tommy Wheeler had been involved with music for decades, and would continue this path long after his mid-life musical statement. In a way, 1969 and “I Love the Lord” might be described as a hinge-point for other events in his life too, a looking back behind what he’d experienced, as well as looking forward to where he was headed. His cousin, Max Wheeler, remembers Tommy was at a “serene point” that year, after enduring the death of someone he loved years earlier – a crucible for faith growth, huh? Early in his life, Tommy was blessed to grow up in a musical family, under the tutelage of his father who was a minister and musical director. Through high school, Tommy sang and wrote music in many choral groups. This continued through college, and he also obtained some practical teaching experience as a young man. Later, he began writing more music, including much of it for the Stamps-Baxter company while he remained engaged in singing and working with local churches. So, one might say the Lord and music had been cooked into his blood. He was hooked, apparently, on serving God through music. In fact by 1969, Wheeler says he thought of Psalm 116 and how that ancient songwriter’s prose could be woven into his own verses, echoing back another biblical love passage – John 3:16. Wheeler has maintained his path after this 1969 hinge-point, writing or co-writing at least a dozen more songs through the early 21^st Century that are published in many contemporary hymnals today. But, “I Love the Lord”, which Wheeler first published in his own hymnal Gospel Gems, is perhaps the most well-known, for a good reason – its message sums up succinctly why any believer feels the way he or she does. 

The door was beginning to open wider for Wheeler as the 1960s concluded and the 1970s dawned, as it would for anyone reaching mid-life. He’d experienced much that had blessed him, including a family -- three children, and after his first wife died, a second marriage -- and his cousin Max with whom he shared the musical gift of composition. His childhood, youth, and young adult years now behind him, he wrote of his eternal years in his love song. ‘He has been so good to me’, Wheeler reminisces in the chorus, one reason to devote yourself to the Holy One. But, he goes further in all three verses, setting his gaze ahead, to the period beyond earth’s time. These emotions resonate with most humans who consider their lives closely, so it’s no mystery why “I Love the Lord” is sung in other languages besides English, including Russian and Portuguese. Glancing back, yes, but looking forward too, and saying something that transcends any language. I plan on talking to Tommy more, if not here, then up there in the ‘Great Ahead’…maybe I should learn some Russian or Portuguese before I get there, whaddya think?

Biographical information on the composer obtained from the book “Our Garden of Song”, edited by Gene C. Finley, Howard Publishing Company, 1980.

Also, many thanks to Tommy Wheeler for sharing his personal reflections on the song with this SongScoops blogger in December 2012!  

Also see following sites for information on the song: http://launch.groups.yahoo.com/group/hymnoftheday/message/1342  

http://www.taylorpublications.com/index.php?route=product/category&path=111_112_123_129

I Believe in Jesus -- Alton Howard

Entrepreneur. That’s the word someone might use to describe Alton Howard. How about in 1977, when he wrote the song “I Believe in Jesus”; was he out of character, or was he saying what he lived then? Was song-writing the same thing for Alton Howard as opening a new store, or taking an idea and turning it into reality?  What moved this West Monroe, Louisiana (see map) resident to express something in words that some of his peers in the various business fields he pursued might have ignored or considered too risky? Meet Alton Howard.

Alton Howard had been up and down many avenues in life by the time he composed a song about his deepest, fundamental beliefs in his early 50’s. He’d served in the Air Force in World War II, flying many times over Germany as part of his duty. Perhaps his war experience was a motivator, for over the next 60 years Howard seemed unafraid to take risk, to reach for something different in a variety of business ventures. He must have had a good sense of what would work too, for if he hadn’t he might have eventually collapsed permanently. From various retail stores, to restaurants, to insurance companies, and then publishing, Alton Howard must have been like a blur to those who know him. An idea man, who knew how to turn them (ideas) into action…that was Alton Howard. And, that didn’t stop with his faith, either. He wrote relatively few songs, but was a leader for over four decades in the church he attended, and started a church youth camp and helped begin a radio ministry. One might say he really believed, and knew how to turn his own belief into something that others soon believed also. Perhaps that’s the basic life message he communicated with his song words in “I Believe in Jesus”. He didn’t think his own belief was sufficient, or was something he could just keep to himself.

Alton Howard lived a message, and wrote about the fundamentals of this message in his composition. We don’t know the precise circumstances in 1977 as he penned the words to “I Believe in Jesus”, but they appear to be consistent with what we know of his lifestyle. From what he wrote, Alton was moved by the miracles of Jesus’ ministry, such that he felt the key to life’s answers were embodied in Him. Jesus wasn’t just fascinating and fantastic. He was a reasonable alternative, perhaps in part for Howard because he’d been a onetime-wartime flyboy who’d faced death and survived. It’s as if Alton had placed himself at the disposal of God, the preserver and sustainer of life. ‘Use me’, Howard might have thought, and so the 60-plus years of his life after the war’s conclusion say something. Has God been my protector at some point? How about you? What – or in whom – do you believe?      

See following links for information on the composer:

http://www.christianchronicle.org/article512~Songbook_publisher,_entrepreneur_Howard_dies_at_age_81

http://en.wikipedia.org/wiki/Howard_Books

I Gave My Life for Thee -- Francis Ridley Havergal

Was it because His body looks horribly scarred? Or was it the blood that’s dripping down His forehead? Instead, was Frances R. Havergal overcome by the look of resignation on His face, His hands bound? The inscription below the painting (see it here) also must have stuck with her that day in Dusseldorf, as she contemplated its import and scratched out the first few words of “I Gave My Life for Thee” while sitting in that mid-19^th Century gallery. She wasn’t the first person to be moved by staring at Christ’s beaten visage, but what she created from that moment is somewhat rare. Read on to see why.

Havergal was no doubt influenced by many factors that 1858 day in Germany as she gazed upon the painting called Ecce Homo (Behold the Man) and composed something special as a result. Not the least of these influences was her father William, a minister and writer and hymnist also, who would have a profound impact on his daughter, including in her development of this hymn. This 22-year old was affected deeply by the painting, and its message got inside of her, particularly the caption that she echoes in the song’s first verse. Yet, the poem she began that day she nearly discarded in the flames of a stove, thinking it was a failure. It’s said the paper was inexplicably saved from the fire, and then found by William who urged Frances to persist in its development. What he saw in it we do not know, but perhaps it was the poetry’s rare quality that makes it so different from most other hymns. Pick any church hymnal, and you’ll notice that most of what we believers sing is from us to Him. Frances Havergal sensed something else, in a different direction entirely as she composed.  Her words have us vocalize Jesus’ words, from Him to us, and then back to Him again. One might deduce that Frances had the Spirit from deep inside her being coaching her efforts that day.  How else might one create something that stands apart from most other music?  

‘Who’s the audience for what I’m singing?’, her words make me wonder. Am I really thinking about the words and their origin? What must it have been like for Jesus to leave His home, endure agonizing torture, die in disgrace, and then offer rescue to the people who killed Him? Those are the four divine sacrifices that Frances must have been mulling over, and her own answers to them. How could I mimic Jesus? As I think about the audience, about Frances’ audience in 1858, I come upon something I don’t often consider as I sing and offer praise. He’s not just above. He’s also inside, urging me, coaxing me, convicting me if necessary. Jesus listened to His insides, and He asks me to do the same. That’s how I can start to imitate Him. Am I listening to what’s coming from inside? Are you?

    

 Information on the song was obtained from the books  “Amazing Grace – 366 Inspiring Hymn Stories for Daily Devotions”, by Kenneth W. Osbeck, 1990, Kregel Publications; “The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs”, by William J. and Ardythe Petersen, 2006, Tyndale House Publishers, Inc.; and “Then Sings My Soul”, by Robert J. Morgan, 2003, Thomas Nelson, Inc.   

See this site for further biography: http://en.wikipedia.org/wiki/Frances_Ridley_Havergal

One Day – John Wilbur Chapman

He could have been mulling over the momentous days in his own life, but he wasn’t. John Wilbur Chapman was instead thinking about the days in the life of God, the days that He let us mere humans observe. Perhaps it was therapeutic for Chapman to think in this way, a way that diverted his attention from himself perhaps, and gave him hope for the future during the first decade of the 20^th Century when he composed the words for “One Day”. He’d had plenty of ups and downs, and so it probably made sense for Chapman to draw strength for life from the One who had lived his up and down days too, and overcame.

J. Wilbur Chapman was a notable evangelist during the late 19^th and early 20^th Centuries across North America and Asia who helped rescue thousands, even as he himself fought personal struggle. During the time that he composed the poem “One Day” in 1908, he’d been intent on spreading God’s message himself in many places in the U.S. or had been organizing the activities of others who were speaking across the country. He was also nearing 50 years old and had just suffered the death of his second wife in 1907.  So, here’s a guy who must have felt snake-bitten in some way, right? He was trying to spread the Divine message, ‘so why isn’t God protecting my family?’, he might have asked. He could have retreated in crisis-mode. Instead, maybe it dawned on Chapman that God didn’t protect His own family, really. He sent his special son Jesus to die, after all. And so, Chapman’s poetry seems to be a reflection on what it was like to be the God-Son and walk in His shoes. It’s not a worn-out message that’s been forgotten one hundred years after Chapman penned the words, either. The group Casting Crowns re-birthed the song in 2009 and called it “Glorious Day”. Its draw for one of the group’s members, Mark Hall, is probably the same as it was for the original author. The entire message of God, Hall says, is contained in the song’s chorus. He acknowledges the hymn has been a favorite from his childhood for this reason. Perhaps its compact message – God lived for me, died for me, took away my penalty for sin, rose to make a home for me, and will come back to get me – is what Chapman was looking for in his evangelism campaigns too. Yeh, my own life’s not been tragedy-free, but how do they compare to what God’s days have been like?

Chapman reminds us that God’s had several days that no human has ever experienced. He left heaven, came to earth as a virgin-born baby, was treacherously convicted of a capital crime and murdered, and yet rose from a grave. Those were four pretty unique days, spread out over 30-something years. Who but Him could have lived them? And, there’s still one more to come, where I’ll be more than just a spectator. Ever wonder what it would be like to take part in a God-day? That kind of day revolves around Him and His agenda. In fact, He created that day. Like it or not, everyone will take part in that day, called Judgment Day (see picture). Ready or not, here He comes.  

    

Some information on the composer was obtained from the book “Then Sings My Soul”, by Robert J. Morgan, 2003, Thomas Nelson, Inc.   

Information on a contemporary song based on “One Day” by Chapman is “Glorious Day” by Casting Crowns that is found at this site: http://en.wikipedia.org/wiki/Glorious_Day_%28Living_He_Loved_Me%29  

Story of Casting Crowns song: http://www.youtube.com/watch?v=hdXi3DqK6VQ

Also see this site for some information on the song “One Day”: http://www.hymntime.com/tch/htm/o/n/e/oneday.htm

For biography of composer see: http://en.wikipedia.org/wiki/John_Wilbur_Chapman