Joachim Neander wrote this hymn that was published when he was 30 years old while he was in Bremen (see its flag here), and could it be that he knew he was dying of tuberculosis? Perhaps. It also would not have been unusual for Joachim to think of his destiny, and with whom he would be sharing eternity someday. Thoughts of one’s mortality might call forth the melancholy for some people, but evidently not in Joachim’s case. In one sense, he had already been wallowing in the depths earlier in his life, but then he stepped onto a higher plane. Could we say that no one was better prepared for what happened to Joachim in 1680, when he went home forever? With what he wrote over his short three decades of life, one might conclude that he was preparing during the last several years of life for what eventually happened; and, he recorded his thoughts for us to examine and prosper from centuries later. What would you want others to hear from you, years from now?
It’s said that most of Joachim’s hymns were high praise works, including this one – Praise to the Lord, the Almighty – that resembles Psalm 103 in one important respect. Joachim must have felt as David did, that God whom he served deserved many more than one ‘praise the Lord’ phrase in his musical poem. Dozens of psalms contain praises to Him, but Psalm 103 has no less than seven throughout its 22 verses that are like bookends for what David had to share (three in vv. 1-2, and four in his concluding thoughts, vv. 20-22). (Only Psalm 135, with no less than 11 praises for the Lord in it, has more.) Could that be why Joachim’s hymn contains seven verses in its original form (though today’s hymnals may have just four of these verses), each beginning with a Praise to the Lord! ? Joachim’s bloodlines probably also helped him stay in touch with whom he should be extolling, for it’s said in several sources that Joachim came from multiple generations who wore the same name and were preachers, perhaps as many as four previous generations – his father, grandfather, great-grandfather, and great-great grandfather. So, when the youngest of these Joachims was coughing and suffering from tuberculosis (TB) at such a young age in the 1670s, perhaps he knew deep inside that his mortality was not some far-off prospect. It was, in fact, nearby. It’s not known what lead to Joachim’s illness, but his habit as a young man was to wander through the wilderness of the Dussel River valley, composing his music as he went exploring oftentimes through caves in the area; might this custom have been one way for him to isolate himself from others, avoid enclosed areas and the increased vulnerability to this infectious malady? He reportedly held services in the open spaces of this valley as a pastor, a scene that also reminded him of God’s creative nature, giving him very obvious stimuli to praise Him. The valley where he walked was actually later named for him, in German called Neanderthal (Neander valley). Bones later found there in the 19th Century were believed initially to be of an early hominid – aka proto-human. That’s another story…Thank God that the Neander we can appreciate from the 17th Century left something more significant than bones for us to consider!
Joachim was also a fellow that had a wake-up call as a young man. He reportedly ridiculed preachers and worshipping people as a teenager, but heard one preacher (Theodore Under-Eyck [alternately -Eyke]) who affected him deeply as a 20-year-old, spurring him to turn his life toward God. And so, Joachim would spend the next decade – tragically short, by human standards – praising the one he’d scorned previously. Perhaps Joachim felt like another who had a great awakening as a young man, a guy who went on to travel so widely and write so much of the New Testament for us to consume 20 centuries later. Paul had been Saul, and still thought of himself as the ‘worst sinner’ (1 Timothy 1:15-16), the same Saul who had berated, chased, and watched Christians being executed. But a person can turn his life around, if prompted to do so. Joachim Neander was one who followed Saul/Paul’s model, 16 centuries later. It’s still a good, effective model, and Paul and Joachim still have words to share.
Information on the song story was obtained in these sources: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006; Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions by Kenneth W. Osbeck, Kregel Publications, 1990; 101 Hymn Stories, by Kenneth W. Osbeck, Kregel Publications, 1982; and Then Sings My Soul – 150 of the World’s Greatest Hymn Stories, Robert J. Morgan, Thomas Nelson Publishers, 2003.
See the author’s brief biography here: http://www.hymntime.com/tch/bio/n/e/a/n/neander_j.htm and a longer one here: https://en.wikipedia.org/wiki/Joachim_Neander
See all seven of the original verse lyrics here: http://www.hymntime.com/tch/htm/p/t/t/l/pttlta.htm
See information on the flag of Bremen here: https://commons.wikimedia.org/wiki/File:Flag_of_Bremen.svg …This image is in the public domain according to German copyright law because it is part of a statute, ordinance, official decree or judgment (official work) issued by a German authority or court (§ 5 Abs.1 UrhG)….found inside this document -- https://en.wikipedia.org/wiki/Bremen



