I Will Boast – Jeremiah, Paul, and Paul Baloche

What he had to say, the people did not like. In fact, Jeremiah the prophet (see depiction of Jeremiah [The Prophet Jeremiah (1511), from the ceiling of the Sistine Chapel, by Michelangelo] here) did not much like what he had been given to tell the people of the southern kingdom of Judah either. ‘Don’t brag about yourself’ – that was the message that a descendant of this weeping prophet, someone named Paul, would recast some six centuries later, and which another Paul (Baloche) would repeat for us another 20 centuries later in history. If you want to brag, say “I Will Boast” because you know your Creator, the only righteous, just, and compassionate One, your Redeemer. You want His approval? Good, then practice those characteristics in your life, and see what that does for your outlook and rapport with Him and with others whom you know. It’s the only way to avoid eternal and terrestrial calamity, if you really take some time and think about what these three in history have had to say.

 

Jeremiah had the unenviable task during his prophetic mission (between 626 and sometime after 586 B.C., so around 40 years) of telling Judah’s inhabitants that doom was coming. Here’s a paraphrase of his message: ‘The land will be laid waste, and exile to Babylon awaits. If you want to prostrate yourselves and admit that you’ve violated the covenant with the Lord God, and reengage with the true One, here’s what you have to do, though your punishment cannot be avoided ultimately’. Then Jeremiah tells them in some short directives what Paul Baloche repeats in his musical rendition in 2006. Don’t boast in or count on the following: your wisdom, your strength, or your riches (Jeremiah 9:23-24). That covers an awful lot in the human experience, and the penchant to chase after these still entices a lot of people today, some 26 centuries after Jeremiah first delivered this rebuke. The great apostle Paul must have taken note of his ancestor’s words, for he too talks about boasting pretty frequently, and then tells his contemporaries in the first century that any such crowing should be exclusively connected with Christ. (Paul wrote at least nine times in five New Testament letters about boasting in Christ [Romans 5:11; 1 Cor. 15:31; 2 Cor. 10:14; 11:10; 12:9; Galatians 6:14; Philippians 1:26; 2:16; 3:3].) His namesake 2000 years hence has thus connected what Jeremiah said so long ago with the apostle’s instructions, in order to consummate some ordinances for a God follower’s lifestyle in our current era. The 21^st Century Paul links our boasting to being ‘humble’ and full of ‘thanks’ for Him because He created us in His image and has saved us (v.1 of  ‘I Will Boast’). So, boast in the ‘Lord’, the ‘worthy’ One, in fact ‘in Christ alone’, Paul Baloche says over and over. It never gets old.     

 

What Jeremiah says after his warning about the harlots of human wisdom, strength, and riches is fairly important also, and when lived out today are pretty meaningful. Paul Baloche mentions humility in his lyrics, versus what Jeremiah says in the latter words of his two verses – that kindness, justice, and righteousness are the ways to please God. It sounds a lot like what another prophet, Micah (6:6-8), had already said to the northern kingdom of Samaria approximately 100 years earlier (sometime between 750 and 686 B.C.), in his warning to those people of what was approaching. If worship – true worship – to the true God is not connected to heart-level attitudes like kindness (mercy), justice among people, and ability to humble oneself to Him, then all the sacrifices on earth you can make won’t matter to God. He’s a righteous God, Jeremiah said, and He expects His image-bearers to mimic Him in these key character traits that He gave to His prophets to tell us. Be kind, practice justice, and be humble, if you want to know what righteous living resembles. That is so needed today in early 2025, so get out there and boast in a shining Christ-likeness everyone…or will we need another weeping prophet to come preach?

 

Read about the contemporary author-composer here: Paul Baloche - Wikipedia 

 

See information on the image of Jeremiah here: File:Michelangelo Buonarroti 027.jpg - Wikimedia Commons …This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. {{PD-1996}} – public domain in its source country on January 1, 1996 and in the United States.

I Feel Good, Good, Good – Anonymous

 

We don’t know who wrote it, but we could guess that it has been sung a lot of different ways just by inserting a couple of new words in place of the original ones to fit the mood of whomever was trying to express him- or herself. Open an old hymnal (or a new one, even) and you might find “I Feel Good” --   maybe with the adjective repeated twice more for emphasis – in the pages of that book. Who was behind the song that is often anonymously attributed to ‘Traditional’ or ‘Gospel’ or maybe ‘Folk song’ will remain a mystery, but could it be that Philip Paul Bliss (see his portrait here) helped spawn a musical movement that gave rise to ‘I Feel Good’ and others like it? Someone was feeling good, and wanted others to share that too, and then he/she shared a few other emotions to help carry the group’s celebration further. Maybe an old apostle deserves some of the credit, when he wrote about focusing on the positive (see Philippians 4:8) as he addressed a new church that he wanted to inspire. This can even be done while sitting in a prison, as he apparently was. God can be with anyone, anywhere, and His presence can bring light into the darkest period of one’s life.  

 

The apostle Paul wrote: Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise, think about these things. (Philippians 4:8) Wouldn’t it be interesting if this guy named Philip (P.P. Bliss, as he’s often designated in his songs’ attribution lines) had come up with some of his own pretty positive thoughts to musically echo those first crafted by a guy writing to a community (the Philippians) from which his own name derives? Let’s just pretend that that might be true! Moreover, the 1^st Century Paul and the 19^th Century Philip Paul might thus be linked, not only in their names, but emotionally and spiritually too. All these linkages could not be just an accident, right? OK, enough of this speculation. Here’s what we could say, including that positivity flows from not only saying one feels good, but good, good, good, and hearing some clapping and maybe even foot stomping to accompany all of this revelry. Say the operative word three times, with a jumpy tune that goes well with a broad smile and contentment in one’s heart. You could verify this by experiencing it in person. Change a few words – like from feel good, to can love, or got joy, or can sing, or got peace, or any other ways you want a group to say something uplifting – and you’re doing what the 1^st Century Paul suggested. Philip Paul was perhaps the first to publish a work with the phrase Gospel song that described the contents of a hymnbook (in 1874, Gospel Songs. A Choice Collection of Hymns and Tunes), helping coax worshipping crowds with songs noted for their ease of use. Just sing something simple and crowd-pleasing, so the saved can focus on the delight of their spiritual state. That’s a recipe for easing depression and anxiety, no matter what one’s earthly circumstances are.   

 

Long before the Gospel Music era (also known as the Holiness-Pentecostal period in the 19^th Century) came along, two prisoners (including Paul, and his first partner Silas) modeled for early Christians the feel good, good, good satisfaction, a reaction to their situation that could not but have helped stir others in their presence (see Acts 16:25-34), including the Spirit of God apparently, in Philippi. Earthquakes don’t often happen because of a joyful witness, but who’s to say what might result if more of us dug deep inside ourselves more often to proclaim the hope we have? Paul knew well what joy, despite his whereabouts, could do. Perhaps he was remembering another character in his Jewish history who made the most of his prison stay – Joseph (Genesis 39 and 40). He, and then later Paul and Silas, probably discovered something you and I should remember. Prison is temporary, but joy emerges with so many other potent reasons for celebration on a never-ending spectrum. It’s a journey that doesn’t even end at death’s door. In fact, it’s just really beginning.         

 

Gospel music - Wikipedia

https://en.wikipedia.org/wiki/Folk_music

 

See information about the portrait here: Philip Paul Bliss, 1838-1876…This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

Awesome -- Charles Jenkins

 

Charles Jenkins says that the day was so hectic, it was like the demands on him were trying to crowd out what he finally heard inside his head. He was trying to hear from and share with his Creator, but what kept coming through was that He’s “Awesome”, even in the hubbub of daily activities in the Chicago area where Charles was a minister. (See the seal of Chicago here.) This certainly wasn’t the first time that Charles had had a conversation with God, but it was unique in that he decided to preserve what emerged from it – his first musical endeavor in April 2012. He says it seemed like God was the ‘orchestrator’, so Charles took the hint that this divine discussion partner wanted him to take this conversation and let others know about it. Charles felt like he was the recorder, writing like never before and trying to get every thought and impression down on paper that God was communicating. What you and I can do is try to put ourselves in Charles’ shoes…and indeed we can, with what he penned about the Awesome.

 

The lyrics that Charles scribbled hurriedly in 2012 tell of a progression of his thoughts, and the many truths about the Almighty that kept building upon each other as he focused on His voice and how his spirit was meshing with His. Inside Charles’ house, following his busy day, he heard the word ‘awesome’. And then what followed in the next several minutes were the details of that one-word inspiration, giving Charles a multi-pronged answer, coming in three waves of poetry that only the great artist of the universe could really author. The 1^st verse answered the initial question, ‘Why’s He awesome?’ Picture Charles being captivated by this God and His mountains, valleys, and the rain, and that He provides ‘strength’ for each ‘broken’ person. It was then that Charles realized God is so much bigger than any one person’s life, and that’s how the 2^nd verse flowed from his pen; He’s the ‘whole world’s’ savior, the only author of ‘salvation’, by being the willing receiver of ‘stripes’ so that He could usher in a ‘forgiven’ world with His ‘grace’. The 3^rd wave of lyrics was all the reasons for God’s awesome nature that just crowded upon each other in Charles’ mind; and, the way Charles remembers it, these were one-word praises that responded to His roles as ‘holy’, as ‘great’, as ‘mighty’, as our ‘deliverer’, as our ‘provider’, and as our ‘protector’. So, when we sing the lyrics in the order that Charles wrote them, we’re reminding this composer and our God, too, about that one special conversation in 2012. How big is God, and how long has He been in this song-making business? Charles may have wondered the same thing.

 

Can anyone really count all of the songs that have ever been written for churches and the believers that inhabit them --- thousands upon thousands, even millions, and all the different dialogues that God has been having with us, His image-bearers, over the millennia? What about all of the ones that are still to be had? This God never tires of being creative, and of imparting that special quality to each of us. He really does want to be among us, and in spirit with each of us, and especially when we mimic His musical nature. That must be part of what’s going on inside of an artist when he/she creates something like ‘Awesome’, and why one keeps returning to that well of inspiration. Think about that when we sing and how you are connecting with Him, and with His body. Charles discovered that this God can talk to you and me, even at the end of an exhausting day, to refresh, lift, and mobilize your life to speak of Him. He can mesmerize, no matter what kind of day I’ve had.

 

 

Hear the song’s story here: The Story Behind The Song:My God Is Awesome

 

Read about the author-composer here: Charles Jenkins (American Gospel musician) - Wikipedia …and here: About Me – Charles Jenkins

 

See information on the seal of Chicago here: File:Seal of Chicago, Illinois.svg - Wikimedia Commons.  This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1929, and if not then due to lack of notice or renewal.