The story
wasn’t his own, but it moved him nevertheless. Ira Forest Stanphill sat
spellbound by the missionary couple’s story, so drawn to what they’d experienced
that he couldn’t forget it the next morning as he sat at a piano and poured his
emotions into the song “Follow Me” one day in 1953. Now, the memory of that
experience doesn’t have to remain distant. Like an aroma that stirs recollection
of something with a unique taste, making the mouth water in anticipation, this
song’s words probably reminded those two missionaries of their challenges and how
they endured. Perhaps knowing the story’s background will resonate with others
who’ve labored similarly (with a mental picture of a missionary, like that
shown here), and wondered if it was worth the effort.
He was a
39-year old singing preacher, who’d been conducting his own ministry for many
years when he heard a story by Charles Greenaway at a Texas conference in 1953.
The Greenaways (Charles and his wife
Mary) had been young missionaries in Africa, and Ira Stanphill, as any minister
committed to God’s work would do, probably expected to hear something interesting
and informative from them as he attended the Grand Prairie conference one
evening. Maybe he got more than he bargained for, because the story made its
way onto a song sheet the next day, through his own tears. The Greenaways didn’t
think Africa was for them at first, those many years earlier. Mary was sick, an
irony that probably was not lost on her and Charles, who had gone to help people
there through a medical missionary effort they were eager to use as a springboard
to introduce God to the people. It seemed that the physical needs of the locals
were so great, however, that no room was left for the deeper spiritual food
they wanted to dispense too. And with Mary laid low, Charles’ spirit called out
‘Lord, send us somewhere else!’ He sensed God’s answer, a gentle but firm reminder
that Jesus had likewise felt the sting of apathy and rejection. Do as He did,
they sensed, and leave the rest to Him. That’s faith, putting it simply -- not
seeing the logic or tangible effects of one’s efforts, but showing up anyway. Eventually,
the Greenaways saw the spiritual fruit they longed to harvest. From one
minister to another, Charles Greenaway’s story washed over Ira Stanphill. Were Ira
Stanphill’s nerves tingling? Did he hear something that his own 17 years of
ministry had imprinted on him – a commitment to patient endurance, being a tool
for Him?
Maybe Ira
connected personally with something Charles said, or perhaps he just felt the
impact of this couple’s zeal and their potent story. We can ask Ira later (since
he died in 1993) what it was especially that made his tears flow the next
morning as he thought about the Greenaways’ African experience. Stanphill certainly
identified with messaging to other cultures, as he preached in 40 different
countries outside of the U.S. before expiring at the age of 79. “Follow Me”
took Stanphill lots of places that he probably wouldn’t have gone otherwise.
The words he wrote – loneliness, sacrifice, burdens, and misplaced pride –
suggest he needed an experience like the Greenaways bore to hone his
ministerial aptitude, too. Hang tough, and know the intimate fellowship with
Him that comes along the coarse, uneven path. A missionary might even travel a violent
road. He didn’t promise it’d be easy. But, just imagine what a now-departed
missionary is tasting right now. It’ll be worth it, won’t it?
The primary
source for the story on this song is the book Stories Behind Popular Songs
and Hymns, by Lindsay Terry, Baker Book House, 1990. Also, see more
information on the composer in Amazing Grace: 366 Inspiring Hymn Stories for
Daily Devotions by Kenneth W. Osbeck, Kregel Publications, 1990, and 101
More Hymn Stories, by Kenneth W. Osbeck, Kregel Publications, 1985.

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