Showing posts with label omnipresence. Show all posts
Showing posts with label omnipresence. Show all posts

Saturday, March 12, 2016

I Am Thine O Lord -- Frances Jane Crosby



Birthplace – Cincinnati, Ohio. Parents – Crosby and Doane. Or, perhaps another should get some credit for the composition of “I Am Thine O Lord”; see what you think after you learn what inspired the pen of 55-year-old Frances Jane Crosby in the year 1875. It’s apparent from reading about her life that circumstances did not have to be extreme for “Fanny” to write a poem that would later become a song. It probably helped her to know that her partner William Howard Doane was in tune with the same Spirit that inhabited her inner self. She was able to write on the spur of a moment, a gift that helps explain her abundancy as a hymnist – over 8,000 over her lifetime – that was more amazing because her hymn-writing career began so late in life. But, it’s never too late to connect with a new mission in life.

Fanny Crosby had many musical collaborators, but perhaps none as close to her as Howard Doane, whom she visited on occasion in his Cincinnati home. Though their musical teamwork was often the outcome of their get-togethers, during this one incident perhaps they both were not intentionally seeking such a result. It’s said they were sharing about God’s proximity and His impact, and how He had blessed them both. Indeed, Fanny and Howard were both success stories outside of their music-making ventures – she as a writer and musician with hundreds of secular works to her credit, and he a very prosperous businessman. Their conversation sparked her imagination, but perhaps there was some other synergistic element there too. It’s said that as the sun set that day, a shadowy scene portrayed His handiwork. While this would have been invisible to Crosby, was it something that Howard related to his blind friend – a further evidence of God’s presence, and an additional ingredient in the topic of their conversation? To the perceptive Crosby, could she feel the descending sun’s warmth vanishing bit by bit, but in a way calling out to her? Whatever the cause, Crosby was seeking to go deeper (vv.1-2) than she’d been up to that point. She recognized His presence had indeed come as she’d sought Him (v. 3), but understood that she would not fully experience Him here (v. 4). She reportedly spoke the words of the verses to Howard on the spot, obviously with the movement of the Spirit giving her the inspired words. Howard apparently wrote the music accompanying ”I Am Thine…” the following morning. It would be interesting to know how often the Crosby –Doane collaborative relationship worked in this way. They reportedly produced some 1,500 songs together.Isn't it great what Christian fellowship can do?

Can it be said that Fanny’s musical life is proof that God’s presence is persistent? Sometimes it seems He’s near, but is He gone at other times, particularly when evil seems so pervasive?  Would the planet lose its way in orbit if He was missing for even a brief second? Conflicting evidence might tell us ‘yes’ and ‘no’ are at once the answers to these questions. Maybe these are questions that Fanny asked herself too, spurring her onward to a renewed mission work commitment as she broached the age of sixty, five years after “I am Thine…” was born. To bring God close to those who needed Him most was her urgent desire. A Cincinnati evening wasn’t a one-time experience, but something Aunt Fanny wanted to build upon. What’s your building look like?    

See more information on the song story in these sources: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006; and Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions by Kenneth W. Osbeck, Kregel Publications, 1990. 

Also see this link, showing all four verses and the composer’s story about the song: http://www.hymntime.com/tch/htm/i/a/t/iatolord.htm  

More in-depth biography of composer here: https://en.wikipedia.org/wiki/Fanny_Crosby

Monday, December 14, 2009

Holy Ground – Christopher Beatty

The below is the text of an e:mail that Chris Beatty sent this author on December 15, 2009, telling in his own words how “Holy Ground” was written (in 1982). Enjoy! I was a young pastor in Southern California on vacation with my wife, Carole, in San Diego. As was my practice I started my day with some Scripture reading, singing and exploring song ideas. Exodus 3:5 jumped out at me as having a profound meaning, not just for Moses, but for us all. "Do not come any closer," God told Moses. "Take off your sandals, for you are standing on holy ground." Two things immediately hit me: First, we should approach the Lord with deliberate preparation; Second, because He is everywhere we go, we can always expect a holy ground experience. There are four verses to Holy Ground, though they are not always all sung. The first verse sets up the premise that where we are, He is: This is holy ground. We're standing on holy ground. For the Lord is present, and where He is, is holy. The second verse engages us physically, acknowledging that all we do can be holy works: These are holy hands. He's given us holy hands. He works through these hands, and so these hands are holy. Verse three addresses our words, one of the most challenging areas of all to keep under His guidance: These are holy lips. He's given us holy lips. He speaks through these lips, and so these lips are holy. As this third verse repeats I like the sing the last phrase using the word "sing." He sings through these lips, and so these lips are holy. The fourth and final verse reminds us that were it not for his gift of life and time we would not exist: This is holy time. He's given us holy time. Time is His, and He's given us this holy time. Holy Ground as been sung around the world for 30 years in gatherings large and small. It is often used as congregations dedicate new worship spaces as well as in weekly worship. My prayer for us all is to remember the reality that God is in us, and around us and ever will be. See the following websites for singing advice from Christopher Beatty, who is a vocal coach – a guy who’s still behaving like he’s on holy ground, and therefore deliberately preparing others to be in God’s presence with their lips and voices. http://www.youtube.com/user/vocalcoach http://vocalcoach.com/about.html http://blog.vocalcoach.com/