Friday, February 6, 2026

Psalm 23 (I Am Not Alone) -- Joshua Sherman, Laurel Taylor, Steven Musso, The Emerging Sound

 


It most likely happened at a summer camp. The year was 2018, and Joshua Sherman and two other musical collaborators, Laurel Taylor and Steven Musso, reached back for a song that was very old, in order to drawn something that remained potent from its object of worship. “Psalm 23 (I Am Not Alone)”, which drew upon what one shepherd once wrote about another greater shepherd, spoke to these three 21st Century songwriters. David’s version, and so many other renderings since his day 3,000 years ago, engender peace and contentment; Joshua, Laurel, and Steven, while in the camp atmosphere of The Emerging Sound, took David’s thoughts to a place of elation and pure excitement as they considered what the Great Shepherd provides. He gives the people of His pasture so much right now, and if what’s to come because of His provision could possibly be fathomed, that would really blow the top off of all we can imagine. That’s what Joshua, Laurel, and Steven seem to want us to drink in.  

 

Joshua, Laurel, and Steven come from different places in the eastern part of the United States, so one can guess that they came together somehow to mull over, share, and create something that their ancient songwriting brother would have recognized. These three heard and read what David said, and just to rearrange his lyrics some would have been profitable, and yet they evidently had some other objective in mind when they thought about Psalm 23. Joshua ministered in Boynton Beach in southern Florida, Laurel was Nashville in Middle Tennessee, and Steven was in Albany in east-central New York, so did the three talk by phones or via some other remote devices to craft the song? Part of it may have emerged from such an interaction, but since they cite The Emerging Sound as a part of their collective composing team, we can be pretty certain that they were together at one of the summer camps that this organization hosts to foster songwriting and ultimately the spread of the Good News. They thought David’s words about the Great Shepherd and what He provides were worth repeating – protection, anointing, guidance through valleys, refreshment and restoration, the mercy and grace He offers, and the comfort and confidence that makes our souls overflow. That’s a lot. Wrap up all of that in a single package, and how does one feel? That is what is expressed in this Psalm 23 version, and you and I are invited to feel as Joshua, Laurel, and Steven unmistakably felt as they sat with each other at a campsite. They used words that David must have also felt, but left unspoken. Hallelujah and Victory (vocalized six and fifteen times, respectively, throughout the song) raise the lyrics to a new height, testifying to a thrilling awareness for what He’s laid up for us to have in His presence, in His home. We can anticipate and be confident that He will, and is already providing for us, as these three remind us that ‘my Comfort, always holds me close’, an antidote to this life of frequent challenge that He alone bestows. David surely knew all about this too, and that ‘Your Spirit lives within me’, though he did not explicitly pen these phrases. Joshua, Laurel, and Steven thought David’s heartstrings beat pretty strong in these unspoken phrases through what he did write, so why not include them three millennia later? Good idea!   

 

Not much more needs to be said to expose what three contemporary Christian songwriters discovered eight years ago. Others probably have felt similarly as they have read and thought about David’s ode to the Great Shepherd. Too often, though, it is consigned to rather sad occasions, at funerals. Its comforting tone is appropriate for soothing the wounded hearts at those times, certainly. But our great Redeemer and Protector is more than a soother, as this new version of the 23rd Psalm communicates so powerfully. Sing the hallelujahs and victories now that we implicitly know David had in his own soul, and which Joshua, Laurel, and Steven have seen fit to shout aloud. Say them again, and again, and again. Keep doing it. Live like it, and see who else will join in. (Click on one of the links below to get yourself in the correct frame of mind!)    

 

Hear a very stirring rendition of the song here from one of the artists: https://www.youtube.com/watch?v=bpTXb_-sir8

 

Read some about the primary composer here: https://www.jasministries.com/

 

Read about another of the co-writers here: https://www.themussos.com/about

 

Read about another of the co-writers here: https://www.thechristianbeat.org/artists/laurel-taylor/

 

Read about the songwriting group that helped spawn the song here: https://www.theemergingsound.com/

 

See information about the image here: https://commons.wikimedia.org/wiki/File:Bernhard_Plockhorst_-_Good_Shephard.jpg... This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. {{PD-1996}} – public domain in its source country on January 1, 1996 and in the United States….the image may be found in this document -- https://en.wikipedia.org/wiki/Sheep  

Friday, January 30, 2026

Made for More -- Blake Wiggins, Jessie Early, Jonathan Smith, Josh Baldwin

 


He’d just made a move, and he was searching. That’s what Josh Baldwin shared as he talked about “Made for More” after the song was released in 2024. He had several collaborators – Blake Wiggins, Jessie Early, and Jonathan Smith – so it wasn’t just Josh making up his own mind about how he himself was ‘made for more’; indeed, Josh and the others implicitly acknowledged that identity begins with the One who made us all. Josh had been part of Bethel Music based in Redding, California (see its seal here), which has been a collection of songwriters that may have played a role in the song’s development. So, when he moved across the country to Tennessee, he was evidently hunting for some ‘newness’. Fortunately, he found that this endeavor did not really take him in an opposite direction, but rather allowed him to step back from leading and reexamine the basics of his faith. What did his life mean for him personally? That’s what comes through in the words that Josh began, and which Blake, Jessie, and Jonathan helped focus and refine.

 

Josh said the song emerged during a songwriting session, so one can imagine the ideas that were shared back and forth in ‘Made for More’. He says the song felt pretty special right from the start, and actually helped him rethink what the theme of the album on which it appears should be. That tells us, who are searching like Josh was, that something pretty essential is contained within the songwriters’ collective thoughts when they finished their work. It’s said that these essentials captivated them through several scriptures – Romans 8, Isaiah 43:1, and Ephesians 2 – which ancient writers also used to communicate powerful, life-giving manna to their age, and now to ours. In short, one word helps sum up how they said we should feel: Alive! That’s what the ancients were saying poetically and otherwise. The Apostle Paul no doubt read what Isaiah had written what God told him: ‘Do not fear, for I have redeemed you; I have summoned you by name; you are mine.’ It must have dawned on the prophets, Jesus-followers like Paul, and these 21st Century songwriters that God doesn’t redeem people to let them remain dead or to live a futile existence; He wants His chosen ones to be as alive as He is. Josh says this living message, that being ‘made for more’ helped strengthen his own son, and became like a personal anthem when he and his family were hunting for a new church in Tennessee. There were valleys and peaks, but they could count on the Creator-God to remain faithful. If you’re feeling hamstrung by your past mistakes, leave them in the dust, and as Josh and the others wrote in their lyrics, take heart, for ‘I have a future and it's worth the living’. Life is so much more than merely being born and then dying, so don’t ‘be tending a grave’, because that will only be a temporary stopping/resting point along the way.

 

Josh and company have so much more to say about being “Made for More”, and its message evokes an emotion that actually can transcend the human life experience. It will go beyond the grave, where none of us have yet been. And yet, Josh and the others say something else that’s interesting in one of their verses – ‘The cross of salvation was only the start’, implying that there’s so much more than looking out ahead to the finish line. Jesus did say ‘It is finished’ (John 19:30), so we all look to that seminal moment when Jesus accomplished the saving act for you and me. How Josh and his friends respond, though, is to say ‘we’re risen now’. If your day has a heavy rock that you feel like you’re dragging along behind you, let it go, and grab hold of what’s said in “Made…” -- I know I am Yours. Am, not will be someday. Right now.

 

 

Details of the song found here: https://www.google.com/search?q=made+for+more+song+story&aic=0&bih=825&biw=1459&sca_esv=ae1e161c6b0f2947&ei=kOx7ae6IHqjm5NoPoLqlmQo&ved=0ahUKEwjukL_z8rGSAxUoM1kFHSBdKaMQ4dUDCBE&uact=5&oq=made+for+more+song+story&gs_lp=Egxnd3Mtd2l6LXNlcnAiGG1hZGUgZm9yIG1vcmUgc29uZyBzdG9yeTIGEAAYFhgeMgYQABgWGB4yBhAAGBYYHjIGEAAYFhgeMgsQABiABBiGAxiKBTIIEAAYgAQYogRI_HhQ9A9Y_HFwAXgBkAEAmAFSoAGsDaoBAjMxuAEDyAEA-AEBmAIboALVC8ICChAAGLADGNYEGEfCAgUQIRigAcICBRAAGO8FwgIGEAAYBxgewgIIEAAYBxgIGB7CAggQABgFGAcYHsICChAAGIAEGEMYigXCAg0QLhiABBixAxhDGIoFwgILEAAYgAQYkQIYigXCAgUQABiABMICChAuGIAEGEMYigXCAgUQLhiABMICFBAuGIAEGJcFGNwEGN4EGOAE2AEBwgIIEAAYogQYiQWYAwCIBgGQBge6BgYIARABGBSSBwIyN6AHzbABsgcCMja4B9MLwgcENi4yMcgHKIAIAA&sclient=gws-wiz-serp

See more comments about the song here: https://www.brightfm.com/shine/shine-daily/josh-baldwin-on-the-purpose-behind-made-for-more/ and here: https://worshipleader.com/worship-culture/made-for-more-josh-baldwin/

Read about one of the songwriters here: https://en.wikipedia.org/wiki/Josh_Baldwin

Read about a songwriting venture here in which the principal songwriter has been involved: Bethel Music - Wikipedia

See information on the image of the Redding seal here: File:Seal of Redding, California.png - Wikimedia Commons. This work was created by a government unit (including state, county, city, and municipal government agencies) that derives its powers from the laws of the State of California and is subject to disclosure under the California Public Records Act (Government Code § 6250 et seq.). It is a public record that was not created by an agency which state law has allowed to claim copyright, and is therefore in the public domain in the United States. The image may be found inside this site: https://en.wikipedia.org/wiki/Redding,_California

Friday, January 23, 2026

Goodbye Yesterday -- Grace Binion, Joshua Holiday, Mitch Wong, Steven Furtick

 


You can tell of whom they were thinking when they penned the words. Grace Binion, Joshua Holiday, Mitch Wong, and Steven Furtick were undoubtedly thinking of new converts, and that comes through clearly when the lyrics they wrote for “Goodbye Yesterday” are sung or heard. Such a group would be doing and feeling more than just sighing with relief  (‘Whew, I’m saved’), but rather jumping for joy, they thought. The transformation that takes place is more than a feeling and a memory; it’s a new life. These members of the Charlotte-based Elevation Rhythm band (see the seal of Charlotte here) take their name and the praise that they help propagate seriously. Elevate has to mean more than standing and singing, because when the depth of someone’s former condition is known, and the certainty of God’s salvation is appreciated, how can the response be anything but what these four 21st Century composers brought to the table for others to consume and to further themselves with utter delight? One can imagine that that will be magnified exponentially in the new morning to come.   

 

Nate Diaz tells this much in an interview about ‘Goodbye Yesterday: The song has a connection to an old hymn I Have Decided to Follow Jesus (see the blog entry for 4/2/2016), which was the basis for some of the lyrics, and which was on Steven Furtick’s lips pretty spontaneously as the bridge portion of the song. Nate says the song is pretty ‘blunt’ and the bridge lyrics that they sing -- ‘I have decided’ and ‘no turning back’ -- are meant for people who are eager and full of zeal to proclaim their allegiance to Him out loud, who are very unashamed of their devotion. Nate said it was really energizing to see young people singing this with fervor, because the age in which we live is filled with temptation to entertain them, instead of trying to get them to truly follow God. The environment sounds kind of like what you might observe among a group of fanatical sports fans, whose team just won the championship right in front of their collective eyes. It wouldn’t be a surprise if these fans also sang an anthem song at such an event, and that’s how Josh Holiday describes ‘Goodbye…’, as an anthem to celebrate salvation. There’s no hesitation in such a gathering, when people know their hope and expectation is based on a guarantee from the One who made humans and wants them to join Him in the Forever place. Perhaps that was part of the thinking – that it is a celebration of what’s already been won – when this group of musicians decided upon a name for the album, Victory Lap, which contains the song ‘Goodbye…’ that they produced in 2024. ‘New day’, ‘born again’, and ‘resurrection in my veins’ join the song’s title words and the bridge section to reinforce what the new creation experiences when the old dead-end ways are traded for what He offers.

 

And so, the song has an energy, which is not really a shocker. It’s one that the participant just cannot really feel unless he’s on his feet, ready to move even just a little bit. If someone says ‘party’, that would be part of the thrill too, to realize that you are on the winning side and that the door to this gala has been opened for you to step inside and feel the clap on your back and the embrace of everyone you see. There’s an event at a church that this blogger has volunteered to join next month, just to see this kind of sensation. It’s called Night to Shine. Utter joy. That’s what awaits us who believe, and it’s not reserved for just a mild-mannered sort of satisfaction that you might feel after receiving a congratulatory handshake at some routine event, perhaps when you are promoted, one that’s filled with a few pieces of cake and some punch, an event that concludes after 45 minutes. No, as the Elevation Rhythm band reminds us in ‘Goodbye…’, this party goes on ‘again, and again, and again, and again’, as many times as He has  rescued me from a hole-in-the-ground ending. ‘Dancin’ on the grave…’ in this case is OK, because it’s not someone else’s demise about which I sing. It’s the one where I’ve buried my old past. You can choose -- either the hole in the ground, or the party above ground.  

 

Read some brief comments about the song here: https://www.klove.com/music/blog/new-music/elevation-rhythm-s-goodbye-yesterday-sets-the-tone-for-a-new-day-9498

 

Hear some more about the song’s development here: https://www.instagram.com/reel/DOoRoChETJ3/

 

Read a brief bio on the group Elevation Rhythm here: https://www.klove.com/music/artists/elevation-rhythm

 

See information about the seal of Charlotte here: File:New seal of Charlotte, North Carolina.svg - Wikimedia CommonsThis file is in the public domain because official item legally exempt from copyright in its country of origin. The image can be found in this document:  https://en.wikipedia.org/wiki/Charlotte,_North_Carolina