Jesus Let Us Come to Know You -- Michael Card

When he wrote out the words, he did more than sing them. That’s what Michael Card would say about himself, and that’s undoubtedly what he would say to those he contacts and draws into conversation via his 1982 song “Jesus, Let Us Come to Know You”. He was early in his journey in 1982, perhaps near Bowling Green, Kentucky (see map here) where he’d gone to college, and it was not just through music that this artist sought to accomplish the goal of this song’s title. And, his journey hasn’t been one of solitude, for Card is a big believer in community, and that realizing the goal of knowing God is a learning process best met among a group of people. So, notice the words—one word, in particular--that he uses in his ode, and it comes as no surprise, once you’ve met and understood this fellow.

Michael Card was a 25-year old musician-second, and God seeker-first in 1982 when he wrote that he wanted to know God better. He probably has two people to thank primarily for his musical career – one professor/mentor (William Lane) who coaxed him to write his first songs, and a friend (Randy Scruggs) who pushed him into recording some of them. Lane persuaded Michael to write songs to accompany the weekly sermon at the church, so perhaps “Jesus, Let Us…” was one of those efforts, devised for one of Lane’s Sunday morning messages. Randy and another friend (John Thompson) then recorded Michael and some of his songs, hoping the effort would prove to record companies that their newly-minted production company was credible. Indeed it did, and their plan also unwittingly helped launch Michael on a musical ride that has continued for over 30 years. “Jesus Let Us…” underscored two things that seem to be key facets in his musical calling: First, music was not Michael’s primary focus, and second, his achievements have been in the midst of many others who’ve spurred what has emerged from Michael’s pen. These attributes come straight from Card’s official website, but they also are evident in the two verses of the 1982 song he crafted. The song’s theme – knowing the God-Son – and living among a community – evident in the composer’s recurring use of ‘us’in the two verses – tip-off the observer that these two crucial elements were at work inside Michael Card. What Michael had experienced with his mentor and his friends – a reciprocal, give-and-take relationship  – was also what he thought about God and himself, and that comes though too, in his poetry.

Michael Card is probably as well, or perhaps even more well-known for his abilities outside of his music. Author, teacher, and radio host are the other ventures that he pursues, all with the goal of living among others and encouraging them to join the journey he’s on himself. ‘Us’ is a the tiny word he employs 11 times, underscoring how he’s been conducting his exploration of God’s connection to his universe. While it’s a life-long education at which Card has excelled, he would readily admit it’s been most fruitful because of the many people with whom he’s interacted. Seeking God isn’t a solitary enterprise. Michael would probably say ‘go find a group to feed upon and feed them in return’. While you’re doing that, see if you notice Him doing the same with you.  

Biography on the composer here: https://en.wikipedia.org/wiki/Michael_Card

Another biographic article, this one on composer’s official website: http://www.michaelcard.com/biography

Another biography/conversation with the composer: http://www.webcitation.org/query?url=http://www.geocities.com/Athens/Forum/3505/cardconv.html&date=2009-10-25+05:59:59

Friends - Michael W. and Deborah D. Smith

His name was Bill, and he must have been a pretty special friend. Deborah and Michael Smith were willing to wear their hearts on their sleeves one day in 1982, and with feelings that made them ache, “Friends” was the result. If you’ve lived among people and ever had to leave a buddy, a comrade, or perhaps someone you might have even called ‘family’, then you’re no stranger to what Michael and Deborah felt that day. Maybe you were even as close as the biblical David and Jonathan. (See this depicted here in von Carolsfeld’s 1860 painting.) The circumstances of leaving friends might be different each time, but the bottom line is the same – you miss them. How can one avoid the anguish? Maybe that was at the root of what Deborah was thinking, as she crafted the words that Michael would marry to music in just a few moments. Does our Creator know what it feels like to leave, or to see somebody special depart from us? What’s His solution?   

Both Michael W. and Deborah D. Smith had no doubt experienced this situation before, as they prepared to say ‘so long’ to their friend Bill Jackson. They’d been bible studiers together, probably providing insights and helping hands to one another spiritually and otherwise. Perhaps they might say there was even something like synergy when they were together. The rest of us might use the word ‘special’. It was Deborah who suggested they write a song for Bill’s going-away that would take place later that same day, and Michael the doubter that they could accomplish such an endeavor in time. But, once his wife – with an apparent God-given talent – gave him the poem within the hour, Michael must have known there was something exceptional in it. It captured something deep inside – could it have been the Spirit? He put it to music in minutes, and said it pricked the hearts of all who heard its debut that night. It hasn’t stopped doing so in over 30 years, he says, even inside himself when he performs it repeatedly for audiences today. Michael says kids who’ve lost friends tragically (as in car accidents, or otherwise in death), or just miss each other after summer camp, can identify with the song’s lyrics. ‘Everybody cries’, Michael says. It was part of the first album he put together, and it remains Michael’s signature song. And, its unique kind of genesis remains extraordinary, as Michael says almost all his other songs have developed with the music first, followed by the lyrics. Isn’t that interesting, perhaps even metaphorical for human friendship?

Friendship seems to be an integral part of the human condition. We don’t know exactly what’s in store for us when we encounter a new group of people, so we necessarily experience at least a few, but most likely numerous, times together before we develop true camaraderie. That’s kind of a metaphor for “Friends”, wherein experiences and the words shared between people precede the bonhomie -- the music -- of relationship. It’s glue-like, so that’s probably why it hurts to be taken apart – as when someone moves away. ‘I wish we didn’t have to say good-bye to Bill!’ Can you hear Michael and Deborah saying this about their pal? Yet, they didn’t run from it; they chose to sing about it. That was the Smiths’ solution. Lean upon the One who made us all this way. Trust the One that knows about our lifetimes, and that we can aim toward a time when friends never have to part, ever (alluded to in refrain of ‘Friends’). Do I hear ‘Amen!', somewhere?   

See biography of the composer here: http://www.michaelwsmith.net/biography.html

And here: https://en.wikipedia.org/wiki/Michael_W._Smith

This link is the primary source for the song story: http://www.songfacts.com/detail.php?id=12244