Sunday, May 12, 2019

O Little Town of Bethlehem -- Phillips Brooks



It must have been something special, that the place and the experience remained vivid for this poet and led to his creation some three years later. Perhaps Phillips Brooks did not expect what happened when he visited the Church of the Nativity in Bethlehem (see painting of the Grotto of the Nativity, from 1833, here) in 1865 when he was 30 years old. His memory of that visit at Christmas led to “O Little Town of Bethlehem” in 1868, as he sought to make a Christmas season worship experience thousands of miles from that original place more special. If he couldn’t take all the people from inside the church where he ministered in 1868 back to Bethlehem, maybe he could bring a bit of it to where he was.

Phillips Brooks may have been a big man physically, but he had a heart for children, a characteristic that emerged especially in this Christmas song. At 6’ 6”, Phillips could have been, and perhaps was for some people, an imposing presence. Yet, it was he who found a Christmas service in Bethlehem in 1865 to be so very overwhelming; it was a five-hour experience that he still remembered three years later as he prepared for another Christmas, this time in Philadelphia. The great peace he had observed in Bethlehem was what he sought to reproduce for the children in Philadelphia; they needed a song for their Sunday school presentation, and Brooks drew upon what still occupied his mind from the Holy Land scene he’d attended years earlier. His fourth verse particularly seems aimed at the  ‘…children, pure and happy…’ whom he draws into the divine message; it’s about peace and the contentment to which all God’s children aspire. Perhaps the scenery he paints in each of his five verses were ones he’d seen in Bethlehem’s church in 1865. Verse 1 has me looking at the little village under the nighttime sky, dark and sleepy-eyed, yet somehow aware that He and His light are there. Verse 2 portrays the birth of the Holy Child, an event attended by angelic and heavenly bodies. Verse 3 tells that He’s a quiet presence, yet alluring to those who align with His meek nature. While Phillips focuses verse 4 on the Child and children, he also asks the Holy Child in verse 5 to transform those who invite His presence. How many of the original scenes – the village of Bethlehem, His lowly birthplace, the angels watching over Him -- were within just a few steps of where Brooks had been in 1865? Did Phillips ponder this too, as he recollected where he’d been on one special Christmas?

Phillips didn’t want his Christmas 1865 to be a fading memory. He recaptured some of it in five verses, though probably not every sight and sound. Photos and motion pictures were not yet common in Phillips’ day when he coaxed worshippers to be transported mentally/emotionally/spiritually to another place. Words and music, along with the stories he could relate, held that task. There’s other places that I’ve never been that I can see and hear through technical means. But there’s no remote touch, smell, or taste capabilities in the early 21st Century. And, there’s still no time travel either, at least not physically. Phillips, and you, and I can perhaps go where he was in 1865 sometime and retrieve all the missing parts. But, perhaps you can bring some of Bethlehem to your locale this coming Christmas – or even before then. That’s what Phillips Brooks would have recommended.               

See more information on the song story in these sources: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006; Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions by Kenneth W. Osbeck, Kregel Publications, 1990; 101 Hymn Stories, by Kenneth W. Osbeck, Kregel Publications, 1982; Then Sings My Soul – 150 of the World’s Greatest Hymn Stories, Robert J. Morgan, Thomas Nelson Publishers, 2003; and A Treasury of Hymn Stories – Brief Biographies of 120 Hymnwriters with Their Best Hymns, by Amos R. Wells, Baker Book House, 1945.  

Also see this link, showing all five original verses: http://www.hymntime.com/tch/htm/o/l/i/t/olittlet.htm
Biography of the writer is here: http://www.hymntime.com/tch/bio/b/r/o/o/brooks_p.htm

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