He’d had a conversion experience in either his native land
or afterwards in the new world of America. And, though it may have been an
experience that dawned on him gradually, it evidently inspired him to compose
words for “Love Lifted Me” while he was in Connecticut with a musical
collaborator. James Rowe was an Irish-born American who tried his hand at
several vocations, so he wasn’t afraid to venture into something new and then
change his mind. It must have been one of these episodes that caused him to
reflect on what he’d been doing, making him remember what, or whom, had pushed
him to make a decision.
James Rowe was an immigrant who’d had a number of jobs and
had lived in several places by the time he composed an ode to love in his
mid-40’s. It wouldn’t be surprising if a particular one had influenced his
inner being when he wrote the words to “Love Lifted Me” in 1912. We know not the specific details, except that
his daughter reported that Rowe and the musical contributor, Howard E. Smith,
worked in tandem on the song while they were in what is today Westport (then
Saugatuck), Connecticut (see map here).
She must have seen these two in action
on other songs, but was the song’s sentiment also known for a particular
episode, or rather a composite illustration from Rowe’s life? He’d worked for
the Irish government before emigrating at age 24, and then subsequently lived
and worked on the railroads and as an inspector for the Hudson River Humane
Society in New York state, so we could say it was perhaps during one of these
periods that he felt in trouble spiritually. He felt ‘far from the peaceful
shore’ for some reason, as he revealed straight away in his opening verse. Rowe
wasn’t just a flash in the pan, as a poet-hymnist, for he wrote some 2,600
songs over his life. Evidently, he had a spark that wouldn’t go out, so whether
the Divine he’d discovered was born internally from a singular or multiple incidents,
it stayed with him. He worked with at least three musical publishers in Texas
and Tennessee, and even later while living in Vermont he still composed, this
time verses for greeting cards in partnership with his artist-daughter. The
writing bug was still young in James Rowe, even as his physical being grew old.
One could safely assume that James Rowe’s witness through
writing was in him for most of his life. When did it start and how long did it
endure? With 2,600 songs in his album, Rowe must have been at this for many
years, including some in which he employed a pseudonym ‘James S. Apple’, a
tactic other prolific songwriters used to allow more of their creations to be
published. He may have been trying to
hide his fingerprints at times, but he certainly wasn’t trying to conceal to whom his allegiance
belonged, and being rescued was not a hidden or forgotten event, no matter what
name he used. But, Rowe doesn’t dwell on his once-lost condition; instead, he
uses most of the song to exult in the liberation, and thereby draw others there
too. This ‘Lover’ never quit on Rowe, and maybe that’s what we can see reflected
in his life’s work. Persevere. He did, and still does.
Information on the song’s composer was obtained from the
book “The Complete Book of Hymns – Inspiring
Stories About 600 Hymns and Praise Songs”, by William J. and Ardythe Petersen, Tyndale
House Publishers, 2006; and the link here: http://www.hymntime.com/tch/bio/r/o/w/rowe_j.htm
Some scant information on the song’s development is found
here, along with text of all three verses of the hymns: http://www.hymntime.com/tch/htm/l/o/v/lovelift.htm
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