Saturday, July 25, 2020

Into My Heart -- Harry D. Clarke


Maybe he was reflecting on his own conversion some years earlier – was this the impetus for what he penned as a 36-year old musical publisher-composer? Harry D. Clarke would have had many reasons to look back and wonder to himself how his life might have been very different had circumstances evolved in other ways, and if God had not come “Into My (his) Heart” when He did. Sioux City, Iowa (see the map here) was a significant place in Harry’s world – there are several indications of this – making this one place where he could have been when asking God into his life, perhaps for the first time or on subsequent occasions for renewal. He was like so many others who examined himself honestly, and saw a yawning gap between whom he wanted to be and who he really was. He’d concluded that only One presence could make the difference.

Harry D. Clarke had come through so very much by the time that he was 36 and living a life that he hardly could have imagined two decades earlier. He was an orphan who sought escape from his youth as a seaman for 10 years in Britain in the late 19th-early 20th Century, an inauspicious beginning for any youngster’s life. Fortunately, with the aid of a brother, he made his way to London and then to North America, finally arriving in the United States after a brief interlude in Canada. Was it at this point in his life, on a new continent and far from familiar surroundings, that Harry first asked for God’s intervention, to come ‘into my heart’? Something revolutionary occurred, as the rest of Clarke’s life unfolded in a way much different than had been the case through most of his teenage years. His education at Moody Bible Institute in Chicago and his close association with the evangelists Harry vom Bruch and Billy Sunday were firm evidence that Clarke’s conversion – indeed, God’s entry into his heart – was genuine. Harry was following in the footsteps of these two men, particularly Sunday, as he launched into music as a composer-publisher, and also into evangelism by the mid-1920s. He undoubtedly had a resonant story that made his witness compelling to listeners; without parents since his early childhood, one can imagine Harry telling of his adoption into God’s family with an uncommon personal conviction. God must have indeed been Harry’s resolution for a ‘burden of sin’ (v.2), and a cleansing and illumination (v.3) for a troubled and weary soul (v.1). Perhaps like some others to whom he spoke, Harry may have remembered with overwhelming regret lots of episodes in 10 years as a seaman, as well as other incidents early in his youth. Life need not be a ‘dreary way’ (v.2), if you just ask him to come in, Harry reasoned.

Much of Harry Clarke’s life must have been spent in the Midwest around Sioux City telling others about his heart’s connection with the indwelling Spirit. He established the Billy Sunday Memorial Chapel in Sioux City, and was a pastor in the city until 1945; he was also buried there following his death in 1957. Clarke also served as an evangelist in Pennsylvania and Indiana, showing that his message was not confined to Iowa. Neither is the Spirit’s ability limited in His joining with those who need Him. As Harry may have surmised, He can enter anyone, but a certain desperation and desolation are preconditions for His movement. He won’t overpower, but He can guide, even control someone who is willing. Are you willing?   
        

See here for some biographic information on the author: https://hymnary.org/tune/into_my_heart_clarke
See a brief biography here also: https://www.hopepublishing.com/993/

Saturday, July 18, 2020

All the Way My Savior Leads Me -- Fanny J. Crosby


It was a $5 bill that might have looked something like this (see picture of the American $5 as it looked in the 1869-80 period) that she received from a total stranger, inspiring her to write three verses. Aunt Fanny, known more formally as Frances Jane Crosby, perhaps got a new appreciation for God that day in 1874 in New York City’s Manhattan district when she prayed and almost immediately got an answer, proclaiming that “All the Way My Savior Leads Me” in her recollection of this extraordinary experience.  It’s remarkable how a seemingly momentary incident spurred Crosby to write poetically and endearingly about Him, revealing how closely linked to His life she really was. The place where she was underscores still more the strength of this poetess’ life, despite her outward appearance. But, she made it clear – it wasn’t about herself, but instead the One about whom she wrote.

Fanny Crosby was 54, and working in domestic rescue missions in the slums of New York City when she felt the need to pray about her situation one day. She could have despaired and sought a way to get out of her circumstances, perhaps by using her musical and writing skills to garner more personal prosperity. Yet, she had made the choice many years prior to 1874 that she would serve the Lord, by not just supporting missions to poor people in the slums, but also by living among those who needed help so desperately. She wanted to feel their pain, to be one of them, and so there she was one day in a forlorn state. Prayer was all she had, and so she prayed. One wonders what words she must have used! By her own account, the words she would write as a result were the first put to music by her minister-friend Dr. Robert Lowry. But, the fellow who knocked on her door and handed her five dollars remains unknown, an anonymous, obedient vessel who had responded to God’s heart-call, communicating a truth to her – that He was leading her, in every step. This $5-giver was unknown to Fanny in two ways: she knew not his face, since she was blind; and, his name was likewise hidden. Perhaps with her extra-sensitive ears, Fanny might have been able to recall his voice. Another voice was what she chose to hear, however. She could hear her Master speaking, and she could foresee being in His presence, too. She could laud him for her present circumstances, the ‘here…’ (v.1), see what was approaching – ‘a spring of joy…’ (v.2), and exult in a future when she’d be able look back and recall His guidance – ‘Jesus led me all the way’ (v.3). It seems Fanny was capable of seeing much more than what we might imagine.    

What’s $5 worth in the 2020 economy? It probably wouldn’t get you a complete meal in America, not even a fast food meal. But to Fanny, the half-sawbuck she held in her hand – which someone must have told her about, since she couldn’t see it – was evidence of a priceless treasure. ‘Give us this day our daily bread’ (Matthew 6:11) may have been ringing in Fanny’s ears. One gets the sense that she didn’t allow herself to be overcome with anxiety, perhaps a trait she allowed to grow still more as a consequence of this episode. Are you feeling anxious today? You need $5 to see God at work? God has paid much more than that to show you Himself. Fanny must have thought so too.
   
See more information on the song story in these sources: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006; Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions by Kenneth W. Osbeck, Kregel Publications, 1990; 101 Hymn Stories, by Kenneth W. Osbeck, Kregel Publications, 1982; and Then Sings My Soul, by Robert J. Morgan, Thomas Nelson Publishers, 2003.

Also see this link, showing all three verses: http://www.hymntime.com/tch/htm/a/l/t/altheway.htm

Also see this link for author’s biography: https://en.wikipedia.org/wiki/Fanny_Crosby

Also see this site for song information: https://en.wikipedia.org/wiki/All_the_Way_My_Savior_Leads_Me

See this link for information about the U.S. 5-dollar bill: https://en.wikipedia.org/wiki/United_States_five-dollar_bill

Saturday, July 11, 2020

I Know That My Redeemer Lives -- Jessie Brown Pounds


She was 32 when she wrote the words, probably leaning on earlier versions from Charles Wesley and Samuel Medley in the 18th Century, and H.A. Merrill’s version just 14 years earlier than her own in 1879. Perhaps Jessie Brown Pounds’ own version spurred another by Frederick Fillmore, the brother of her musical collaborator James Fillmore, in 1917. So, with no less than five versions of “I Know That My Redeemer Lives (or Liveth)”, one might understandably be confused by which one is which. Or, maybe another way to look at this bit of hymnody is that the original words by an ancient writer (Job 19:25) have proved so meaningful as to spark these many iterations of his thoughts. Was it a cry of anguish that also compelled Jessie in 1893 to take up her pen, to echo what Job was experiencing? The angst-ridden experience of someone like Job rings true for so many people, yet how often from the depths of despair do you and I call out with an exclamation of faith the way Job did? Perhaps its rare quality is what has captured the attention of writers across three centuries (18th, 19th, and 20th).

Jessie was born, died, and is buried in Hiram, Ohio (see map here, showing its location in Portage County, in the northeastern corner of the state), where she may have spent much of her life, including potentially where she was when she wrote ‘I Know That My Redeemer Lives’. Small-town America is what Hiram appears to be; additionally, it is the home of a small liberal arts college and President James Garfield who lived contemporaneously with Jessie Pounds. The size of Hiram (just 144 people in 1880) and the president’s religious faith (he was a member of the Church of Christ) are probably two reasons why Jessie’s parents and their family were apparently friends of Garfield, prior to his unfortunate assassination in the summer of 1881. That event, when Jessie would have been 20, must have been as shocking to her as it was to other Americans. Jessie’s poor health as a child undoubtedly helped shape her early life also; she reportedly was educated at home from an early age because of her health, perhaps helping to explain how she began to write and submit poetry to Cleveland newspapers and other publications by age 15. While we know not what motivated Jessie to pen the words about her certainty regarding the Savior’s risen state, we can imagine that this was a theme consistently on the minds of Christian believers and something she and others would have heard in countless sermons during a church’s worship life. Was it a sermon on Job that actually spurred Jessie’s endeavor? The trials such as Job experienced, and the eventual victorious outcome of mortal existence were no less meaningful then as they are today. Perhaps Jessie and others of the church had sung on occasions the three other versions of “I Know…” that existed at the time, thus planting a seed of creativity that this young poetess was coaxed to bring to new fruition. We’ll learn more someday, won’t we?

If Job was part of the inspiration for Jessie Pounds’ verses, one wonders if she was uttering something from a deep emotional hole like him. Take a moment, and read Job 19. It’s not pretty. Job’s ‘woe is me’ self-pity is not something anyone would expect to nourish a healthy faith. And yet, maybe his spleen-venting episode is instructive for those of us who cross our arms and think we can judge someone else’s burst of anger in the midst of turmoil. Even after Job’s tirade, he’s still able to utter the song’s title words. Do you suppose that’s one reason why God remained tuned in to Job’s frequency? It’s OK to be angry at the stuff that torments me at times. Jessie and her contemporaries had their moments, too. I can complain with a shout, as long as the life of Him within me emerges, too. In fact, that’s just human nature and the God nature coexisting. He was like that once too, wasn’t He?    


Here's a link to the Pounds’ version of the hymn: http://www.hymntime.com/tch/htm/i/k/n/o/iknowtmr.htm

Some biographic information on the poetess-author: http://www.hymntime.com/tch/bio/p/o/u/pounds_jb.htm

The author’s home is described here: https://en.wikipedia.org/wiki/Hiram,_Ohio