Friday, August 9, 2024

We Will Feast in the House of Zion -- Sandra McCracken and Joshua Moore

 


Was something troubling the writers or people they knew? The lyrics that Sandra McCracken and Joshua Moore penned in 2015 indicate that if the answer was ‘yes’, then they had been reading from various ancient scriptures for solace and encouragement. “We Will Feast in the House of Zion” was how Israel’s most faithful servants of the Lord God reassured themselves, through a remembrance of His past relationship with them and what these same afflicted people prayed He could do for them in the future. Some of their history included exile to another land, a situation that left the people longing for a joyous return to Zion, the land God had given to them. (See the 1903 illustration The Land of Zion, by Ephraim Moses Lilien, which shows the glow of the land off in the distance, which the people of God ached to inhabit once more.) The thoughts that Sandra and Joshua put on paper remind us that we often are in straits that menace us, even to the point of death. We call out and seek His protective presence once more, as His people have done over and over again.  

 

Since Sandra McCracken included the song ‘We Will Feast…’ on an album entitled Psalms, we can presume that much of the inspiration that she found, apparently with Joshua Moore’s collaboration, was from within that ancient Hebrew songbook. Particularly, Psalms 22 (verse 29) and 126 (verses 2-3) offer words that Sandra and Joshua could have borrowed to celebrate with ‘feast(ing)’ and to recall the ‘great things’ He has done for His people. Other various prophets or biblical visionaries like Isaiah (30:19; 43:2), Joel (2:21), Jeremiah (Lamentations 3:22), John (Revelation 5:5), and Solomon (Proverbs 7:9) wrote with words that these two 21st Century songwriters seem to echo. What parallels to Israel’s history existed in Sandra’s and Joshua’s world that helped stimulate what they wrote? That’s a mystery, though any number of circumstances in our modern world so often make us feel as though a gap between the Lord and ourselves has formed. One thing is certain: He hasn’t moved; it’s always we who have strayed away from Him. ‘Fire’ and ‘flood’ may threaten us (v.1); or we feel surrounded by the ‘dark of night’, making us ‘afraid‘ as we look for the ‘dawn’(v.2); and finally admit that our trouble stems from a broken ‘vow’ to Him (v.3) – the trouble is therefore so often self-inflicted. Sandra and Joshua weren’t ready to sit down immediately at the feast; instead, they had to acknowledge that the dangers, using the phrases of their faith’s ancestors, were there. It’s clear that Isarel and we, many centuries later, still experience anxiety, even as we believe in God’s ‘strength’ (v.2). It’s been an ongoing issue for us humans -- ‘from the garden to the grave’ (v.3) --  that McCracken and Moore remind us hasn’t changed between the very beginning of human history until today. But, imposing as these perils have been and continue to be, they cannot defeat God’s rescue operation.

 

We’re not always feasting and rejoicing, feeling restored and protected, for in Sandra’s and Joshua’s world, there are things on the opposite side of the ledger. Their verses even begin with the difficulties, those things that most often, frankly, make us call out to our Protector and Redeemer. It’s just that human nature and daily life work out that way. Struggle almost seems necessary, and in a way, they do seem to make the eventual feast taste that much sweeter. That’s a lesson from real-life experience, from the history we can read of His people, and from this song that Sandra and Joshua have brought to us. Notice that the feasting is always the conclusion of the matter, the refrain in the song. It’s not an accident, is it? We couldn’t trust God and aim to be with Him if that wasn’t true. It’s worth singing and reading every day, that maladies might upset me, but I can count on the end being a reverse of that. He’s the reason, and He's preparing the meal in His house for me. Read John 14:2-3 and Revelation 19:6-9, and see if that whets your appetite!

 

Read about one of the authors here: Sandra McCracken - Wikipedia (see 8th paragraph re: Psalms album)

 

This site indicates the song is part of the Psalms album: SANDRA MCCRACKEN - PSALMS ALBUM LYRICS (songlyrics.com)

 

See information on the sketch here: File:Lieder des Ghetto 11.jpg - Wikimedia Commons…This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1929, and if not then due to lack of notice or renewal. See this page for further explanation.

Friday, August 2, 2024

I Walk with the King -- Alton H. Howard

 


Alton Howard had these words on his lips practically all of his life, and he could today undoubtedly say these words written in 1971 have reached their full flower. “I Walk with the King” was something Alton wanted to say about himself, but the way he lived and served in his community must have urged others to do the same. This was something that Jesus Christ’s closest associates, the Apostles, could have also said (See the 15th Century artwork, Calling of the Apostles, by Domenico Ghirlandaio here.), though calling Him ‘king’ would have been a risky proposition; in fact, that issue of Jesus’ kingship was ultimately how His earthly enemies managed to have Him executed. His kingdom was a great offense and never made sense to some, and was the root of why they relegated Him to a grave, albeit only temporarily. But upon His resurrection, His kingdom did not remain a mystery, and indeed became a source of unquenchable power. It was something that reached – and still does today – people like Alton, and probably explains his life that had impact in so many different ways.

 

Can one accurately count the various ways and the number of people that Alton Howard’s journey with his Lord has affected? Jesus once made a stunning statement to the Apostles -- Very truly I tell you, whoever believes in me will do the works I have been doing, and they will do even greater things than these, because I am going to the Father (John 14:12). How would you feel if God-in-the-flesh told you that you would be outdoing Him someday? Go out and reach the world – that’s the charge that Jesus gave those remaining 11 (soon to be 12) Apostles at the conclusion of His earthly ministry. Perhaps Alton felt the same way, though the method he employed was reaching the world from his home in West Monroe, Louisiana. Alton was a born-and-bred Cajun state resident, and spent most of the eight decades-plus of his life there, including most notably as a church elder, music publisher, hymnist, founder of a church camp and international radio ministry, author, and multi-talented businessman. That’s more than enough for one lifetime! One source indicates that Alton’s published songbooks reached up to three million copies worldwide. How many people did the church in West Monroe, where he served faithfully as an elder for 40 years, ultimately touch? The same question could be asked regarding the church camp and radio ministry, as well the songs and the books that he wrote. One gets the impression that if Alton was walking with his king, that he must have worn out several pairs of shoes in the process! He had business savvy here on earth in so many ways, according to those who knew him, but the words of the song he composed in 1971 showed that that was only the stepping stone to another plane above this planet. ‘I walk with the King to heavenly land’ (v.1), Alton said poetically in the first line, and though his many ventures didn’t always last, one detects little regret about his life in what he wrote. He was an earthly entrepreneur, but the direction was vertical, a trajectory that made his life such a positive influence, as a signpost – indeed, with lots of posted signs wherever Alton journeyed! -- to the One he served.   

 

Not much more could be said about Alton Howard than has already been spelled out in several ways, even if we don’t know specifically what motivated his songwriting in 1971. You can read more about him via the links below. He was carrying out the Great Commission (Matthew 28:16-20), even as he lived and worked in southern Louisiana. Does that speak to the rest of us? You don’t have to go far from home to serve God and touch many others for Him. Alton was a living testimony to that approach. Some of us write blogs (yes!), or do many other things that transport our words, actions, and passions for God elsewhere, places where we may never go while inhabiting this earth. He can use you wherever you are. So, take a page out of Alton’s playbook, and get out there!

 

See following links for information on the composer:

 http://www.christianchronicle.org/article/songbook-publisher-entrepreneur-howard-dies-at-age-81?A=SearchResult&SearchID=2809510&ObjectID=4369268&ObjectType=35

 

http://en.wikipedia.org/wiki/Howard_Books

 

http://en.wikipedia.org/wiki/Alton_Hardy_Howard

 

See also “Our Garden of Song”, edited by Gene C. Finley, Howard Publishing Company, West Monroe, Louisiana, 1980.

 

See information on the artwork here: https://commons.wikimedia.org/wiki/File:Ghirlandaio,_Domenico_-_Calling_of_the_Apostles_-_1481.jpg … This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. {{PD-1996}} – public domain in its source country on January 1, 1996 and in the United States.

Friday, July 26, 2024

What a Beautiful Name -- Ben Fielding and Brooke Ligertwood

 


They let scripture speak, and that method got deep inside themselves as they thought about all that God was saying. Brooke Ligertwood shares that she and Ben Fielding were reading, and became so struck with “What a Beautiful Name” Jesus has, that they couldn’t help singing about this realization and its importance for believers in late 2015.  What happened for Brooke and Ben in Sydney, Australia (at or near the Hillsong Convention Center, see it here) need not be an isolated event or an understanding only for an elite few. We all have bibles – even multiple copies for each of us – that tell of the supreme Creator, and how he has reached down and done something astonishing, even for those who might reject Him. That must have been part of the wonder and amazement that these two songwriters encountered as they prepared for a conference at the Hillsong worship site.

 

Ben and Brooke were preparing, as 2015 wound to a close, to sing and share in 2016 with other ardent believers about the only One worthy of worship. Would there really be anything new that they could say to such a group? Perhaps it’s the daily grind and the all-too-common misuse of His name in the everyday world that helped spur their study and discovery of something unique to Him – that His very name is so distinct and, as they say repeatedly, beautiful, and not just attractive, but also wonderful and powerful. Do you suppose that’s why God is so adamant in the Third of the Ten Commandments – ‘You shall not misuse the name of the Lord your God, for the Lord will not hold anyone guiltless who misuses his name’. (Exodus 20:7 and Deuteronomy 5:11)? His name has multiple facets, as Brooke mentions in the video when she relates how the song developed. She and Ben were reading various passages in Colossians (1:15-20 and 26-27), Hebrews (1:1-4), and apparently some in the prophet Isaiah (42:7; 49:9; 58:6; and 61:1-2, which Jesus Himself quotes to his hometown crowd [Luke 4:18-19]) and these two down-under songwriters found so much that should lift everyone above life’s doldrums. He was ‘at the beginning’, the very ‘Word’, present with the Creator (v.1). He didn’t ‘want heaven without us’, so with His great mind and heart motivating Him, He made His way toward us, to allow His grace to overcome our sin (v.2). So, those two verses help us capture the beauty and wonder of His name. Brooke and Ben cap the song with the power of His name – that cruel ‘death’, the ‘veil’ separating believers from Him, and the ‘grave’ that once held Him, surrendered to His name. Indeed! Jesus’ name has no ‘rival’ and no ‘equal’, a fact in which Brooke and Ben invite us all to celebrate passionately.   

 

The Ligertwood-Fielding approach to songwriting here is not just for musicians. Everyone could be singing a chorus of praise daily, if they read what drew the attention of these two songwriters before they even sat at a keyboard or had a guitar in hand. As Brooke talks about it in the video, there is something special that happens when a person identifies something in His word that connects with a truth deep in one’s soul, and then vocalizes that. It helps nurture and cement faith, and is rather like a building block that one apostle (Paul) was trying to urge believers in his age to adopt…. Faith comes from hearing the message, and the message is heard through the word about Christ (Romans 10:17) – that was the train of thought that Brooke expressed. Singing the truth of scripture is like a confession of belief that someone can offer to God. Would there be any other way than beautiful, wonderful, and powerful to describe someone who created you, came to earth, sacrificed Himself, and then rose again to bridge the gap between you and Him?        

 

See/hear the song story here: Hillsong Worship - "What a Beautiful Name" (Story Behind the Song) | WORD 101.5 FM - Pittsburgh, PA (wordfm.com)

 

Read some more information about the song here: What a Beautiful Name - Wikipedia

 

See Hillsong Convention Centre image information here: File:Hillsong Convention Centre.jpg - Wikimedia Commons.  This work has been released into the public domain by its author, Tatie2189. This applies worldwide. In some countries this may not be legally possible; if so: Tatie2189 grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.