A thousand generations, and the angels – those are phrases that really persuade the reader to use one’s imagination, because there’s just no way that any mortal has seen both of these, or anything approaching what these phrases challenge you and me to exclaim. (See the 19th Century artwork -- Rosa Celeste: Dante and Beatrice gaze upon the highest Heaven, The Empyrean -- by Gustave Dore here, showing lots and lots of angels.) That is the impression that Chris Tomlin and his four collaborators -- Phil Wickham, Brian Johnson, Jenn Johnson, Jason Ingram – want us to consider in “Holy Forever”. A ‘piece of Heaven’ is what Chris says he was trying to portray with the lyrics, something he and the others must have been inspired to pursue as they read John’s Revelation or what the great prophet Isaiah (chapter 6) saw. It means taking one’s own ego and motivations out of the picture, and letting the awesome scenery drive you prostrate. Chris points out what John has already told us: this worship John foresaw will be forever. Hard to picture, right? Chris and company invite us to try, as a warmup for what’s to come.
God declares six times through various authors in the Old Testament that He will lavish His ‘unfailing love’ or stand by ‘His covenant’ to a thousand generations. And, how many other times do His angels make their presence known in the same writings? Over 100 times (precisely 111 times, according to the New Living Translation) -- including 24 times in Revelation alone, the most of any of the bible’s 66 books – do the writers mention these awesome beings who are God’s servants. And, the sight of these breathtaking groups is surpassed only by the vision of God Himself. Thus, that brief synopsis really sums up what these five 21st Century songwriters would have us to see – God supreme, and those two groups of beings worshipping Him. Chris describes how he thinks of songs in two different categories – some that ask God to help us, to ‘rescue me’ with His grace; and then others that are more about ‘transcendence’, like Holy Forever’, that compel the believer ‘…to get on my face’. That’s what’s happening in Revelation. Just consider Revelation 5:11 -- Then I looked again, and I heard the voices of thousands and millions of angels around the throne and of the living beings and the elders. Or, Revelation 7:11 -- And all the angels were standing around the throne and around the elders and the four living beings. And they fell before the throne with their faces to the ground and worshiped God. Revelation 14:6 helps us see it all another way -- And I saw another angel flying through the sky, carrying the eternal Good News to proclaim to the people who belong to this world—to every nation, tribe, language, and people.
Do you think John had goosebumps while on Patmos? Reading those passages should help each of us get just a little of that sensation. Think what’ll it be like when you and I see it close-up, no imagination necessary. Jenn Johnson says the song she and the four others penned is about being part of ‘…our ultimate victory’. We won’t just be watching. We’re among His people, the ones with whom He wants to be forever. Imagine for a moment that it’s like you have a ticket to the most important sporting event in history, and you didn’t pay for it. Someone else dipped into His treasury and paid for your entry into that venue. His is the ‘highest’, the ‘greatest’, ‘above all’, so isn’t that enough reason to sing this ‘song of ages’, the one that Chris, Phil, Brian, Jenn, and Jason expect to be shouting? You don’t have the right voice, you say? I don’t either, yet! He’ll give us that too!
See comments by the primary composer on the song here: Faith Behind The Song: "Holy Forever" Chris Tomlin | Air1 Worship Music
Also see some comments here by another co-composer: Holy Forever by Chris Tomlin - Songfacts
Information on the image is here: File:Paradiso Canto 31.jpg - Wikimedia Commons…Author
Gustave Doré (1832–1883)…This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.