Friday, November 8, 2024

Going Home -- Antonin Dvorak, William Arms Fisher and Ken Bible

 


Homesick. That is a one-word description that best sums up how the music-writer and the original lyricist felt about “Going Home”. Antonin Dvorak was from Bohemia (See here the flag of Bohemia, Dvorak’s native land, known in the present-day as the Czech Republic) and had some feelings of melancholy, something that one of his students, William Arms Fisher, heard not only in the music, but also from the great composer some 30 years after its inception. Later, a lyricist named Ken Bible modified some of Fisher’s words to give a hopeful Christian edge to the song’s message. Dvorak was missing his birthplace, and evidently found some scenery while on his journey through America in the late 19th Century that accentuated an expression of his feelings of displacement, and his longing to reunite with family. It’s a longing that most people feel at least once, or most likely many times, while on Earth.

 

Dvorak had come to the ‘New World’ in America from the ‘Old World’ of Europe in 1892 to become director of a music conservatory in New York, where he would stay until 1895, a time that left him feeling vacant at times, but also energized with what he discovered. In that light, his music for the 9th (New World) Symphony would emerge in 1893 as one of his most famous and well-received works. Part of the music was something called ‘Largo’, upon which his student William Fisher would later base the words for ‘Going Home’, nearly 30 years later (in 1922). Fisher shared that Dvorak missed Bohemia, and that this bit of gloom mingled with his experience in seeing the American continent’s prairie land horizons. The recent experience of native Americans in this area, as well as of negros and the slavery through which they had come – both heartrending in their history – spoke to Dvorak as he pondered his own mood. This deep wistfulness was evidently something that the great composer did not keep to himself, and Fisher likewise expressed it in his poetry, including the title words of the song that he said materialized easily from the first few notes of the Largo that his mentor had composed. That Dvorak died in 1904, some two decades before Fisher’s words for this classic hymn would arise, speaks of how enduring and affecting was the music that the composer created. It must have had somewhat of the same effect on Ken Bible, who added words many decades later (by the year 2000) to emphasize the Christian’s hope of seeing that ‘Jesus is the door’, that ‘He is waiting…’ along with friends to greet us in the afterwhile (v.1). He’s the ‘Morning Star’, the ‘Light’(v.2), and the ‘Smile’ (v.1) at the end of this life’s journey, according to Ken. It is comforting for grieving people, in the moments when they most likely hear this tune and its words sung.

 

The New World Symphony arrived on the Moon in 1969, via the astronaut Neil Armstrong (see Wikipedia article link below). What Armstrong wanted to emphasize was the novelty of the experience, as he planted the first human footsteps on the Earth’s planetary satellite. But what he found was a dust-like surface, barren of any life – like friends or family -- and therefore quite different from what he or any other human would consider a place like home. It certainly wasn’t the American prairie, or a Bohemian scene that would have resonated with Dvorak. What Dvorak, Fisher, and Bible have given us, instead, are music and words that evoke images of a place filled with good, with peace, and with people with whom to share it. He knows what we need in that moment of mortal transition, and He provides a serenity that comes from His nature exclusively. Find rest and reassurance in a reality that goes on forever – that’s what the tune and its words communicate. It really defies written description. Let’s just go with the auditory sensation, and that pinprick in the soul’s deepest part that Dvorak, Fisher, and Bible have made.            

 

See here for the song story: Story of Going Home

 

See here for background of the music and its composer: Wikipedia_Dvorak_9thSymphony

 

See site here for one author who wrote some alternate words for the song: KenBible.com | Nurturing Your Creativity & Your Life in Christ, and  LNWHymns.com (see About the Author on site)

 

See here for information on the song: San Francisco Symphony - DVOŘÁK: Symphony No. 9 in E minor, Opus 95, From the New World Antonín Leopold Dvořák was born at

 

Check out this video for a very beautiful rendition of the song: Bing Videos

 

See here for information on the flag of Bohemia: File:Flag of Bohemia.svg - Wikimedia Commons. The following statement is associated with the image: I, the copyright holder of this work, release this work into the public domain. This applies worldwide. In some countries this may not be legally possible; if so:
I grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

Friday, November 1, 2024

Draw Me Close -- Kelly Carpenter

 


He was feeling overwhelmed, and was ready to chuck all that he was doing if that would allow himself to return to a closer place with God. “Draw Me Close”, Kelly Carpenter prayed one Sunday in his Kirkland, Washington home (northeast of Seattle, see the map here that highlights King County, in which Kirkland lies) in January 1994. Ironically, Kelly was involved with a worship and music ministry at the church that he and his wife loved, but that circumstance did not necessarily guarantee his spirit was in tune with the One he was trying to serve. Kelly had known for many years that music was his purpose, particularly since he had rededicated himself to Christianity over a decade earlier. So, what could possibly be wrong with an apparent calling that had him on a trajectory that he had been seeking for some time? Was his position just too much, too soon? Whose purpose was Kelly really serving in January 1994?

 

Perhaps it was a growing sense of unease that had been gnawing at Kelly Carpenter over the previous 18 months, as he breathed in exasperation one Sunday in January 1994. If his job had been strictly the music that he had wanted to write and perform, Kelly might have felt differently. But, organizing and directing all of the various parts of the worship ministry at a church of several hundred people was beginning to wear on him. How was he supposed to be a pastor to people? Kelly was leaning on his wife (Merrilyn) for help, but he still felt like an obsession with accomplishing all that was on the ministry’s plate was becoming too normal. Had this same phenomenon contributed to the previous minister’s departure? Kelly wondered if he was actually going to fail at this, as he also lamented a noticeable gap growing wider between God and himself. The shine had worn off of the enthusiasm he had once felt for serving in the kingdom, and he wanted to recapture that. He says that one line in the lyrics he composed – in just 20 or 30 minutes, with no changes made later – conveyed the heart of the matter. He’d ‘lay it all down…to be (His, God’s) friend again’. The only person he was interested in pleasing, in that moment sitting at his piano keyboard, was the Lord. Yeh, he was a pastor, but he realized that his connection to God was paramount. He was like a psalmist who had been cut to the heart, like one who was longing for water in a desert. Kelly’s ancient songwriting ancestor, David, had made similar entreaties to God – ‘As the deer pants for …water, so my soul pants for you, my God. (Psalm 42:1) Or, how about when David cried out to God because he acknowledged how far he’d strayed from Him – ‘Restore to me the joy of your salvation and grant me a willing spirit, to sustain me.’ (Psalm 51:12) Kelly’s opening lyrics-song title sounded a lot like a contemporary David, longing to be in God’s embrace once more.

 

Kelly’s testimony says something pretty key for all of us fallible creatures, including ministers/pastors, whom unknowing church members sometimes place on pedestals. We can all get too caught up in our human endeavors, even ones in a church. It’s supposed to be all about Him, isn’t it? If what someone or some circumstance wants from me seems like too much for me to handle, what happens? STRESS, in big capital letters that can cast shadows too tall and darken my spirit. Yes, some things need to get done, and I need to be intentional about working diligently in what He’s given me to do. And if I have found His work energizes and helps fulfill my life, I can enjoy His life flowing through me as His tool. But, even ones chosen by God need help, especially in long-term efforts. Remember how Moses’ father-in-law Jethro advised him once (Exodus 18:13-26)? Get some help, share the load, and you’ll serve God and the people more effectively. God gives in many ways, including putting Merrilyn close to Kelly Carpenter to help him share the load. And, He also gave Kelly a sensation that something was still amiss, and a song that drew him back to his Maker and Sustainer. Does Kelly’s message speak to you, you stressed-out worker, today?        

 

 

See the story of the song in the books Celebrate Jesus: The Stories Behind Your Favorite Praise and Worship Songs, by Phil Christensen and Shari MacDonald, Kregel Publications, 2003; and, I Could Sing of Your Love Forever, by Lindsay Terry, Thomas Nelson publishers, 2008 

 

See the story of the song shared here also: Song Story:

 

See the story here also: Draw Me Close Meeting Place

 

See the composer-author perform the song here: Kelly Carpenter sings "Draw Me Close"

 

See information on the image here: File:Map of Washington highlighting King County.svg - Wikimedia Commons….the owner of the image has issued the following statement: I, the copyright holder of this work, release this work into the public domain. This applies worldwide. In some countries this may not be legally possible; if so:I grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.