Saturday, February 9, 2019

Stand By Me -- Charles Albert Tindley


He was no doubt looking back a bit, and reflecting on the previous 50-plus years spent overcoming. Charles Albert Tindley might have thought he had finally accomplished something by 1905, but perhaps he never lost sight of where he’d been when he uttered the prayer “Stand By Me”. The Philadelphia church (see its picture here) where he ministered would eventually wear his name, but that wouldn’t change his mind about who’s church it really was, and to whom he owed his life’s purpose. He’d been through too many episodes, and many lay in front of him, for him to forget the God whom he must have felt was his mainstay. Charles Tindley had plenty of reminders, including in the people around himself, to keep his faith centered on the object of his prayer.

Charles Tindley was what some people might have called a self-made man, although his song’s words would not have agreed with such an assertion. Lacking formal education through his entire life, this black man and son of a slave nevertheless was a determined person who learned on his own to read and write by his late teens, and then went to night school while working as a janitor to acquire his divinity degree through correspondence. He would probably tell us if he were here today that he had plenty of help from tutors along the way, but his own ambition –such as working for little or no pay, in the post-Civil War era –also spurred his climb. He was formally ordained into ministry in the late 1880s, despite the lack of a degree. Capping his rise, Charles became the full-time pastor of a Philadelphia church where he had been a janitor, following some 15 years of short-term stints at several churches in New Jersey, Delaware, and Maryland. Tindley had endured to attain the position in the city of brotherly love by 1902, so it must have still been fresh in his mind as a 50-something just how far and how long he’d been engaged in this ascent. Indeed, he had been hiking up a virtual mountain his entire life. He wasn’t satisfied with his own status, however. Others around him needed jobs, food, and homes, so it became part of Tindley’s mission over the next several years to work to secure a better existence for his church’s members through the cooperation and assistance of the business community in the city. Some of the words he penned in ‘Stand By Me’ could be considered autobiographical, but he must have been observing life’s struggles through the eyes of many others in the early 1900s, too. Each of the five stanzas he wrote pointed toward skirmishes probably he had experienced or that his friends were experiencing. Raging storms (v.1), tribulation (v.2), faults and failures (v.3), persecution (v.4), and finally the frailty of old age (v.5) were all in Charles’ field of vision. The answer for all was the same: a look heavenward, and a call for the strength of His presence.    

One can imagine that Charles Tindley kept singing his prayer beyond 1905. Through the following decade, and probably beyond, Tindley and others protested racist events in Philadelphia, suffering physical abuse that was all-too common during the era, and not just in the Jim-Crow South. It was a time when many blacks must have felt that God, and too-few white folks in the nation, really cared about their plight. Tindley’s church grew from 130 to over 12,000 by the time of his death two decades later, probably as people clung to one another for support and looked above for solace. Today, you could say some things have improved. But, ‘stand by me’ isn’t a phrase that’s obsolete because the early 1900s has passed. New era, with the same issues in new skin. Same God, too.    
     
See more information on the song story in this source: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006.

Brief information about the author is here: http://www.hymntime.com/tch/bio/t/i/n/tindley_ca.htm

Also see this link, showing all the song’s words: http://www.hymntime.com/tch/htm/s/t/a/n/standbym.htm

See author’s biography here: https://en.wikipedia.org/wiki/Charles_Albert_Tindley

Saturday, February 2, 2019

The Unclouded Day (Oh, They Tell Me of a Home) -- Josiah K. Alwood


He was obviously paying attention to what was going on above his head one night, that there was something special up there. What captured the attention of Josiah K. Alwood one night was a storm and the spectacle he witnessed because of it, and these stayed with him the following morning, causing him to think of “The Unclouded Day” – actually a place where he would see many more spectacles one day. He was near the Ohio-Michigan border (see picture) late at night, as he had been on probably numerous occasions, having been engaged in a discussion about God and His purposes. So, his mind was already prepared to receive a special nudge, something unique that he just needed to put into words and fuse it with some music.  

Josiah Kelly Alwood’s “The Unclouded Day” is perhaps the only song attributed to this 19th Century travelling preacher, making the incident that spurred its creation just that much more interesting. This 51-year-old was caught in a storm one night in August 1879, but the inconvenience of being alone, probably a little wet, and tired at one o’clock in the morning did not distract him from viewing an unusual rainbow that was set against a large cloud as he neared his home in southern Michigan. Unusual, because it was the dead of night, so a visible rainbow was indeed rare for that time of day. His own account of the incident (see the link below) indicates he was entranced by this episode, such that he arose the following morning still thinking about what he’d experienced. It wasn’t long before he’d penned the words to four verses and plunked out the notes on an organ. He must have thought about the place and time that awaited, where he expected to see wonders perpetually like the rainbow of the previous evening. What kinds of visions did he imagine on the unclouded day? Most of all, perhaps, he thought of calling this place ‘home’ (vv.1-2, refrain). Was it an accident that he was on his way toward home in Morenci, Michigan, when he saw something that made him dream of another more long-term home? What does one expect to find at home? Josiah thought of friends already there, and about how the God-provided sustenance – the tree of life – would nourish the place and its inhabitants (v. 2). And, of course Alwood thought of the sovereign in the home above, and how he would marvel at his appearance and the trappings of that place (v.3). Finally, Josiah could inwardly smile, knowing that everyone is happy there in the Divine One’s presence (v.4). This was some rainbow, to make Josiah reflect and record what his mind’s eye beheld!

Rainbow = promise. That’s what Noah could tell us about the one he encountered (Genesis 9:13-16). Is that what Josiah maybe was thinking when he saw that rainbow in August 1879, a sign that God was going to keep His promise? That would be a reasonable conclusion, since Josiah writes of the promise of heaven with palpable conviction. There’s other biblical rainbow talk, though, closer to the end of what God has to say to us. John saw and wrote about it (Revelation 4:3; 10:1), seeing the rainbow not as a promise, but as adornment of God and his servants. Maybe that’s part of what Josiah sensed too – a bit of God’s home breaking into view, a foretaste of what’s to come. A promise and a glimpse of Him. Keep looking for that rainbow.           

     
See more information on the song story in this source: The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006.

Also see this link, showing all the song’s words and the song story: http://www.hymntime.com/tch/htm/u/n/c/uncloudd.htm
Brief information about the author is here: http://www.hymntime.com/tch/bio/a/l/w/alwood_jk.htm

Saturday, January 26, 2019

Amen – Anonymous


Most people do not eagerly invite a curse upon themselves. Instead, if someone asked for an advantage or for someone to be treated well, that would be reason to say ‘Amen’, or ‘so be it’, ‘yes, I agree’. So, whoever decided to create the responsive chant “Amen” was perhaps not thinking about the biblical episode (Deuteronomy 27:15-26) in which Moses (see him pictured here) and other leaders of the Israelites directed that the people should assent – by saying ‘Amen’ -- to curses on themselves if they broke the sacred laws to which they had agreed. They said ‘amen’ twelve times in that episode. On the other hand, eight times in Revelation do people say ‘Amen’ in the context of worshipping God, a recognition of His divinity. Was “Amen” rooted in the negro slave era of the U.S., and was the author thinking about the Revelation emphasis, rather than the Deuteronomy one, as he coaxed others to join in this spiritual endeavor? See what you think.

There are various versions of ‘Amen’ that substitute different phrases to which a chorus assents with the song’s title word. The most common theme of the verses is a focus on the life of Jesus. His birth, miraculous life, suffering, death, and resurrection are truths that believers accept readily, not with just a casual head nod, but instead as exclamations to shout. A group of slaves, if indeed they were the first to worship with “Amen” sometime in the 18th or 19th Centuries, would have reason to draw upon Jesus’ powerful example. They were a powerless group, without hope seemingly. So much of the slave’s life was in the negative, perhaps the author wanted to declare something to which he and others could cry ‘yes!’ Jesus entered the same world as a baby that you and I inhabit; showed himself while still a boy to have power and insight; drew people to Himself as an adult; agonized over His impending death; and, yes, died and was buried; but, rose to defeat death once and for all. That’s a summary of how eight or nine verses of “Amen” would progress, a movement between highs and lows that are common for mortals, even one like Jesus who was simultaneously mortal and divine. “Amen” sums up the life that was given, but not surrendered indefinitely. The final ‘Amen’ could be accompanied by a ‘Hallelujah’, as an acknowledgement that He overcame death, and so can I. That should be an easy one to verbalize, correct?

Everyone needs this Amen. Moses charged his people to say it, and John foresaw it proclaimed many times in his vision on Patmos. Whoever crafted ‘Amen’ must have thought it needed to be uttered energetically, with an exclamation mark like the 12 times that the Hebrews did in the wilderness (Deuteronomy). Today, I cannot say I willingly cry ‘Amen’ to my own punishment as those followers of Moses did; but, I do link myself to Him eagerly as age and the inevitability of the end draws closer. Amen to rising as He did! And, Amen that He decided to come and experience everything else about which I can sing in this old spiritual. Is ‘Amen’ on your lips today?   

See background on the word here: https://en.wikipedia.org/wiki/Amen

See here for discussion of the song: https://en.wikipedia.org/wiki/Amen_(gospel_song)