
See the following sites for information about Michael W. Smith’s biography: http://www.encyclopedia.com/doc/1G2-3430200066.html http://www.americansongwriter.com/2001/03/michael-w-smith-smiths-songs-reach-diverse-audience/
I am fascinated by God-inspired song stories...these glimpses of composers that we might see, but maybe not so readily. May they feed our curiosity about our God's musical purposes for us! It’s a history adventure, as we hunt for the circumstances that coalesced to create the songs we love! Be a detective, and tell me what song "scoops" you may know that I don't...yet. Hopefully, you will also discover why you would want to offer a song to God each week. Enjoy!
Can you fathom the mysteries of God?
Can you probe the limits of the Almighty? (Job 11:7)
William Cowper (pronounced Coo-per) had evidently experienced in a personal way, and probably on more than one occasion, the mystery of God. If I had struggled emotionally as Cowper did throughout his life, perhaps I would have thrown in the towel, so to speak. After all, who would choose to worship someone he could not understand, whose ways left one feeling lost, maybe empty. Have you been there? There have been times when I’ve been blue, wondering what to do with myself. To be alone, without hope, is a pit. It’s at that point that most of us would, hopefully, be coaxed to talk to a friend or in a more serious case perhaps even a professional. Whatever the course of action, its objective would be therapeutic. Take a few moments and consider William Cowper’s therapy, which is revealed in his life-hymn “God Moves in a Mysterious Way” that he wrote in 1774.
Cowper had occasional depression much of his life, probably rooted in early life when his mother died when he was six years old. He also struggled with memories of teasing at school and his father’s interference in a relationship with a woman as a young adult. As a young man, his father also urged him to study law, from which he suffered such mental anguish that he attempted suicide. As a patient in a mental institution, he recovered, and discovered therapy that had three legs – Christianity, poetry, and friendship. He discovered his need for God, and fused that with the poetry he began to compose, and with the camaraderie of Christians. One of them was John Newton, author of “Amazing Grace”, his collaborator throughout the remainder of his life. Together, they produced the Olney Hymnal in 1779.
“God Moves in a Mysterious Way” is, some believe, the last hymn that Cowper wrote, and though he fought the gloom, one senses in the song’s words that he had at last found a method for peace. Some believe the hymn was composed after Cowper was providentially delivered from a suicide attempt one evening. It’s said that his carriage to the Thames River became lost on the way to the place where Cowper intended to take his own life, and instead returned him unexpectedly to his home. From that incident, he may have written this great hymn. He rose above his pangs of despair with this formula: God can decipher the things in my life that perplex and trouble me. It’s said his last words were “I’m not shut out of heaven after all”, a hope-filled testament for anyone with lingering doubt about salvation’s assurance. God may often be inscrutable, but it seems as though Cowper had discovered that’s OK. If I feel mystified by things in my life, Cowper says in his composition, ‘Give it to the One above’. Who better than the Mysterious One can make sense out of riddles?
The following website has all six verses: http://www.cyberhymnal.org/htm/g/m/gmovesmw.htm
Information on the life of William Cowper is found at: http://en.wikipedia.org/wiki/William_Cowper See more information on the song discussed above in The Complete Book of Hymns – Inspiring Stories About 600 Hymns and Praise Songs by William J. Petersen and Ardythe Petersen, Tyndale House Publishers, 2006. Also, see Amazing Grace: 36 Inspiring Hymn Stories for Daily Devotions by Kenneth W. Osbeck, Kregel Publications, 1990; and 101 Hymn Stories by Kenneth Osbeck, Kregel Publications, 1982.
See the following blog and another website on the song’s specific and inspirational story of how it was written: http://wordwisehymns.com/2009/11/15/today-in-1731-william-cowper-born/
‘Come, Thou Almighty King’ sounds like an order, and a compliment in one statement, doesn’t it? In fact, read the words of all five of the song’s verses, and there are many statements that sound like orders for the Almighty to prove Himself, intermingled with praise offerings to the Holy One. There’s a command in almost every line, in fact, of the first four verses. The song makes one think of a Davidic battle psalm, a warrior’s shout to the Lord, a stirring appeal for God’s vengeance to come. The song’s composer is generally considered to be anonymous, but the words in it give us a hint of the songwriter’s situation, who he might have been, and of his abiding faith in the Almighty.
Many music historians think Charles Wesley composed the words to “Come Thou Almighty King”, since its call to God for protection from enemies is a familiar theme in his songs. It first appeared in 1757 in conjunction with a message by John Wesley, Charles’ well-known preacher-brother. The Wesleys were the first Methodists, who endured incredible persecution in Anglican England. So, the song’s message matches what a Wesley might have been pouring out of his soul, somewhat like what King David expressed in his psalms while on the run from his enemies. On the other hand, alert musicologists also note that the song’s meter is unlike most of Wesley’s compositions, and since he was a Methodist, he was usually predictable. The song’s arrival nearly coincided with a well-known tune “God Save Our Gracious King”, which was meant to honor England’s royalty, but was especially abhorrent to Methodists. Instead, they latched onto “Come Thou Almighty King”, which was sung to the same music for a time, but sung to an entirely different king, with gusto. (Today, the tune for “God Save Our Gracious King” matches “My Country, Tis of Thee”, but is not the tune used for “Come Thou Almighty King”. Instead, “The Italian Hymn” is the tune tied to “Come Thou Almighty King”.)
The song was also composed to remind Christians of the Trinity. In many renditions of the song, however, this original intent is blurred, an effect that would have offended its early advocates. Verse 1 is to the Father; verse 2 (and in some versions, also a third verse) recognizes the Incarnate Word – the Son; the following two verses call out to the Spirit as our Comforter, and finally to the three in one, the great mysterious Trinity. Did Charles Wesley in fact write “Come Thou …” ? Somehow, if what I can read of his life is true, I doubt he’d want us to debate it for long. He’d want us to think about the sentiment in the song. My God in His three persons is called upon with requests from the worshipper for 25 things in these five short verses (actually the last four are reminders of what we as worshippers do, with His help). (You can try counting them in the following link: http://www.hymntime.com/tch/htm/c/t/ctak.htm). It might make one wonder ‘does He get weary of my neediness?’. Is that why there’s the three-in-one God, because I’d exhaust Him out if He were only one? No way, right? If nothing else, the song reminds me that God exists to hear my constant cries, to be my Savior in all things. Wesley (if he’s the author) had much he needed from God. Don’t we all?
See the following website for information on Charles Wesley:
http://en.wikipedia.org/wiki/Charles_Wesley
The following books were also used to gather information on the song:
“The Complete Book of Hymns: Inspiring Stories About 600 Hymns and Praise Songs”, by William J. and Ardythe Petersen, Tyndale House Publishers, Inc., 2006.
“Amazing Grace – 366 Inspiring Hymn Stories for Daily Devotions”, by Kenneth W. Osbeck, Kregel Publications, 1990.
Therefore, if anyone is in Christ, he is a new creation; the old has gone, the new has come! (2 Corinthians 5:17)
How many times have you sung a familiar song, and then later discovered it has more verses, new thoughts that make it new all over again? Most of the time, Francis of Assisi’s song “All Creatures of Our God and King” makes me more aware of nature, of the Lord’s creation. As it should. Francis was known as a great nature-lover, so it’s no surprise that he wrote something to heighten my appreciation for all that God has made. The wonder and beauty of God’s creative genius radiates from this great song. Yet, is that theme so appealing to us as worshippers that we want to avoid thoughts that deviate from that? I wonder if that’s why I haven’t heard some of the thoughts of this song before.
One verse in particular (see the link below for the seven verses of the song) is rather different from the creation theme that Francis stresses in the other verses of this hymn. One verse gives us insight into his state of mind as he wrote – he was preparing to die, early in the 13th Century (about 1225 A.D.). It’s said that Francis was suffering tremendous pain in the last months of his life, and perhaps that explains the words of the sixth verse that begins, ‘And thou, most kind and gentle death, waiting to hush our latest breath…’. It’s safe to say he welcomed death. Though this may be true, it’s not something that’s easy to dwell upon when one is focused on God’s creation, of the living things He has authored. What a window we have into Francis’ heart in this song! Though his life was fading, Francis still regarded God as creator of life. Others might have been embittered at pain, following a life serving Him. Not Francis.
Saint Francis was born Giovanni Bernardone, and was anything but a saint early in his life. He led a pretty normal early childhood life, as the son of a wealthy family in Assisi, Italy, until his late teenage years and early adult life. He renounced his position and wealth, and willingly became poor, a beggar and the founder of the Franciscan order – or Friars Minor, a term applied to them because they chose to live simple lives of deprivation. At least, it might have seemed deprived to us. But, perhaps Francis’ humble, simple life allowed him to see what I often cannot, to reap a reward that escapes most of us. If I see myself as but a created being, from God’s hand, then the avenue to return to Him shouldn’t bring me dread, for I go to the One who knows how to re-create me. He’s trustworthy, and the body I’ll become is unimaginable. What a creature I’ll be then!
A great video of the song “All Creatures of Our God and King is at:
http://www.youtube.com/watch?v=HSb1-9i-fDA
The following site shows seven verses of the song:
http://www.cyberhymnal.org/htm/a/c/acoogak.htm
The below site tells of Francis’ life:
http://en.wikipedia.org/wiki/Francis_of_Assisi
Books used to capture some details of Francis’ life and this song he wrote are: “The Complete Book of Hymns: Inspiring Stories about 600 Hymns and Praise Songs”, by William J. and Ardythe Petersen, Tyndale House Publishers, Inc, 2006.
“Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions”, by Kenneth W. Osbeck, Kregel Publications, 1990.