Friday, June 7, 2024

What He's Done -- Jacob Sooter, Tasha Cobbs Leonard, Anna Golden, Kristian Paul Stanfill

 


It wasn’t really a surprise that the words these four songwriters would compose would try to match the passion of the event they were attending. Jacob Sooter, Tasha Cobbs Leonard, Anna Golden, and Kristian Paul Stanfill were, in fact, being very intentional, since they were in Atlanta to write a song for the Passion Conference, coming up in January 2022. Their recall of that time and how “What He’s Done” emerged from their session together says as much about how much they were listening, versus what they were saying to each other in order to create this song. ‘It’s not about you and me’, they might say in retrospect, but about putting Him in the place He deserves. That’s their sense of how to make all other interactions among humans fall into their best places. Jesus didn’t get what He had prayed earlier (in the garden) to His Father to give Him, but look at how things turned out. What would we and history look like if He had avoided the mission He was sent to complete?

 

This group effort began in the months prior to January 2022 with just Kristian and Jacob sharing some seemingly unrelated information with each other, opening the door for a time when Anna and Tasha would add to the spirit of their four-part collaboration. It was a ‘real’ exchange, as Kristian remembers, in which he and Jacob were talking about their respective families and life in general. That set the tone, apparently, for an authentic exchange and reflection on what’s most important, touching Jacob first with the song’s chorus and title theme – ‘What He’s Done’. It was a ‘wow’ moment for the other three, who needed no other inspiration for a foundation upon which to contribute their own thoughts for the remainder of the writing session. God was there, they believed, giving them all they needed. They acknowledged the contrast with how some other songwriting episodes proceed; in this case they received, rather than worked themselves to create the lyrics and accompanying music. A baby’s birth might be the closest metaphor to what happens when a song like this one is conceived and given life. And, such a gift from Him needs no more adornment, no clever words added to make it better – just describe simply His act on the cross and what that does for you and me. This event’s unique nature and its import stands on its own, without a lot of flowery adjectives. It’s enough just to turn one’s eyes upon Him, and voice words like ‘bled’ ‘wounds’, ‘sacrifice’, ‘honor, ‘glory’, ‘freedom’, ‘forgiven’, ‘grace’, and of course, ‘heaven’. With the focus on the One who made it all happen, these songwriters could not leave out some of His ‘name(s)’ – ‘Savior’, ‘Son’, ‘God’, and ‘Father’ – so that our eyes would be fixed on this one who’s made life, and conquered death.  

 

These four songwriters were contemplating not only the Passion Conference’s upcoming schedule, but any Sunday morning that routinely arrives among a believer’s weekly activities. They reminded themselves and those who might sing ‘what He’s done’ that everyone has ‘stuff’ going on. It’s sometimes hard to leave all those other concerns at the door of a worship facility, but how’s it all stack up, compared to what happened on a hill and in a tomb 2,000 years ago? Re-center on those two moments. He’s capable of intervening for me, with whatever aid I find most needful in a troubling situation. But it seems that Jacob, Tasha, Anna, and Kristian are saying that what He’s done already proves that He’s the Almighty. How do you calculate the value of His death and rising? Let the Infinite One transform you infinitely.       

 

What He's Done // Passion feat. Kristian Stanfill, Tasha Cobbs Leonard, Anna Golden // New Song Cafe (youtube.com) (story between 8:10 and 12:00 minute marks)

Read some of the story here also: ‘What He’s Done’ Acoustic Performance From Passion Featuring Kristian Stanfill | Christian Radio

 

See here for image of Atlanta seal and its public domain status -- File:Seal of Atlanta.svg - Wikimedia Commons This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 50 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1928.

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